Excerpt from Winter Journal by Paul Auster, plus links to reviews, author biography & more

Split eyebrow scars, one left and one right, almost perfectly symmetrical, the first caused by running full tilt into a brick wall during a dodgeball game in grade school gym class (the massively swollen black eye you sported for days afterward, which reminded you of a photograph of boxer Gene Fullmer, who had been defeated in a championship bout by Sugar Ray Robinson around the same time) and the second caused in your early twenties when you drove in for a layup during an outdoor basketball game, were fouled from behind, and flew into the metal pole supporting the basket. Another scar on your chin, origin unknown. Most likely from an early childhood spill, a hard fall onto a sidewalk or a stone that split open your flesh and left its mark, which is still visible whenever you shave in the morning. No story accompanies this scar, your mother never talked about it (at least not that you can recall), and you find it odd, if not downright perplexing, that this permanent line was engraved on your chin by what can only be called an invisible hand, that your body is the site of events that have been expunged from history.

It is June 1959. You are twelve years old, and in one week you and your sixth-grade classmates will be graduating from the grammar school you have attended since you were five. It is a splendid day, late spring in its most lustrous incarnation, sunlight pouring down from a cloudless blue sky, warm but not too warm, scant humidity, a soft breeze stirring the air and rippling over your face and neck and bare arms. Once school lets out for the day, you and a gang of your friends repair to Grove Park for a game of pickup baseball. Grove Park is not a park so much as a kind of village green, a large rectangle of well-tended grass flanked by houses on all four sides, a pleasant spot, one of the loveliest public spaces in your small New Jersey town, and you and your friends often go there to play baseball after school, since baseball is the thing you all love most, and you play for hours on end without ever growing weary of it. No adults are present. You establish your own ground rules and settle disagreements among yourselves—most often with words, occasionally with fists. More than fifty years later, you remember nothing about the game that was played that afternoon, but what you do remember is the following: The game is over, and you are standing alone in the middle of the infield, playing catch with yourself, that is, throwing a ball high into the air and following its ascent and descent until it lands in your glove, at which point you immediately throw the ball into the air again, and each time you throw the ball it travels higher than it did the time before, and after several throws you are reaching unprecedented heights, the ball is hovering in the air for many seconds now, the white ball going up against the clear blue sky, the white ball coming down into your glove, and your entire being is engaged in this witless activity, your concentration is total, nothing exists now except the ball and the sky and your glove, which means that your face is turned upward, that you are looking up as you follow the trajectory of the ball, and therefore you are no longer aware of what is happening on the ground, and what happens on the ground as you are looking up at the sky is that something or someone unexpectedly comes crashing into you, and the impact is so sudden, so violent, so overwhelming in its force that you instantly fall to the ground, feeling as though you have been hit by a tank. The brunt of the blow was aimed at your head, in particular your forehead, but your torso has been battered as well, and as you lie on the ground gasping for breath, stunned and nearly unconscious, you see that blood is flowing from your forehead, no, not flowing, gushing, and so you remove your white T-shirt and press it against the gushing spot, and within seconds the white T-shirt has turned entirely red. The other boys are alarmed. They come rushing toward you to do what they can to help, and it is only then that you find out what happened. It seems that one of your cohort, a gangly, good-hearted lunkhead called B.T. (you remember his name but will not divulge it here, since you do not want to embarrass him—assuming he is still alive), was so impressed by your towering, skyscraper throws that he got it into his head to take part in the action, and without bothering to tell you that he, too, was going to try to catch one of your throws started running in the direction of the descending ball, head turned upward, of course, and mouth hanging open in that oafish way of his (what person runs with his mouth hanging open?), and when he crashed into you a moment later, running at an all-out gallop, the teeth protruding from his open mouth went straight into your head. Hence the blood now gushing out of you, hence the depth of the gash in the skin above your left eye. Fortunately, the office of your family doctor is just across the way, in one of the houses that line the perimeter of Grove Park. The boys decide to lead you there at once, and so you cross the park holding your bloody T-shirt against your head in the company of your friends, perhaps four of them, perhaps six of them, you no longer remember, and burst en masse into Dr. Kohn's office. (You have not forgotten his name, just as you have not forgotten the name of your kindergarten teacher, Miss Sandquist, or the names of any of the other teachers you had as a boy.) The receptionist tells you and your friends that Dr. Kohn is seeing a patient just now, and before she can get up from her chair to inform the doctor that there is an emergency to attend to, you and your friends march into the consulting room without bothering to knock. You find Dr. Kohn talking to a plump, middle-aged woman who is sitting on the examination table dressed in a bra and slip only. The woman lets out a yelp of surprise, but once Dr. Kohn sees the blood gushing from your forehead, he tells the woman to get dressed and leave, tells your friends to make themselves scarce, and then hastens to the task of sewing up your wound. It is a painful procedure, since there is no time to administer an anesthetic, but you do your best not to howl as he threads the stitches through your skin. The job he does is perhaps not as brilliant as the one executed by the doctor who sewed up your cheek in 1950, but it is effective for all that, since you do not bleed to death and no longer have a hole in your head. Some days later, you and your sixth-grade classmates take part in your grammar school graduation ceremony. You have been selected to be a flag-bearer, which means that you must carry the American flag down an aisle of the auditorium and plant it in the flag stand on stage. Your head is wrapped in a white gauze bandage, and because blood still seeps occasionally from the spot where you were stitched up, the white gauze has a large red stain on it. After the ceremony, your mother says that when you were walking down the aisle with the flag, you reminded her of a painting of a wounded Revolutionary War hero. You know, she says, just like The Spirit of '76.

Excerpted from Winter Journal by Paul Auster. Copyright © 2012 by Paul Auster. Excerpted by permission of Henry Holt and Company. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.