Excerpt from A Map of Tulsa by Benjamin Lytal, plus links to reviews, author biography & more

I remember the heat the day I came home. I leaned my forehead against my parents' picture window and the heat came through the glass. Tulsa. For a few days I drove, sailing south on 169 and coming back, sweeping across on the Broken Arrow, retracing old lines, bearing down with new force. My parents were very kind. But I decided I had to go to the bars.

In the city of my elementary school, and of my good blue- carpeted church, this was a step I had never taken. I knew where to go: across from the Mexican restaurant where my parents now ate after- church lunch there was a row of bars— in Tulsa's warehouse district. They didn't card here. I parked, I could hear my dashboard clock tick. And even as I watched, three teenage girls in peasant dresses filed out of the Blumont and lit their cigarettes. The sun was setting, the brick wall caught fire. The three girls stood there for some reason, as if in front of a firing squad, squinting in the sun.

At college maybe I became conceited about Tulsa, mentioning at just the right moments that I was raised Southern Baptist, had shot guns recreationally, had been a major Boy Scout— I may have agreed, when people smiled, and pretended that Tulsa was a minor classic, a Western, a bastion of Republican moonshine and a hotbed, equally, of a kind of honky-tonk bonhomie. Well, there was no bonhomie, that I had ever found: the silence of the suburban front yards washed up right to the roots of the skyscrapers, in Tulsa. In fact I had never seen so many people from my hometown actually talking to each other, and shrieking, as here in this bar.

Uninitiated, having experimented only at the drinks tables of upperclassman parties, I didn't know how to order. "Vodka," I just said.

"And?"

"That's all."

The bartender was careful not to look at me as he set it down.

Situated at my little table, flipping my sketchpad open, I did my pencil in curlicues. On the barstools behind me I had an older man, I imagined him with a comb in his pocket, teasing a pair of women (the shrieking). And a lizard- voiced youth who from the pool table across the room was trying to carry on a conversation with the bartender.

"I need a million dollars," the older gentleman was saying. "That's all." And the women shrieked.

I kept my head down. The bar filled up. Dropping a napkin over my sketchpad I rose to get another drink. But sat back down, slowly. I'd seen someone I knew. She sat slumped, looking enviably at home at the Blumont. She had gone to high school with me. She sat listening to another, smaller girl. While she listened she wore a flat, patient expression, her mouth fl at, her eyeballs fl at and somewhat skeptical. Her name was going to come to me but I tried to stop it. I wasn't prepared to make friends with this person today. And yet I remembered all about her: who her friends had been, the stairwell where they ate lunch . . .

Edith Altman. Once I remembered her name I stood automatically. "Are you Edith Altman?"

She was.

"I was always with Tom Price," I volunteered, "and Jason Brewster and Ronnie Tisdale." Perversely, I was naming the most unpopular friends I could think of. "Or Rob Pomeroy."

"Rob Pomeroy, the unabomber?"

I smiled, a little stung. "Yeah," I said, "totally. Though I seem to recall that Rob always made fun of the way I dressed."

She sort of laughed. Her friend stared.

When I walked into the Blumont the number of people in Tulsa I was eager to hang out with had been zero. To me Tulsa was a handful of coevals from church; a troop of boys from Boy Scouts; and of course four hundred people from Franklin High School. My "group" of high school friends was worthless: an unpopularity klatch, a rump group— we had clung together to survive, but never took any pleasure in each other.

Edith leaned way back, as if something had occurred to her. "You were Emma's boyfriend."

Excerpted from A Map of Tulsa by Benjamin Lytal. Copyright © 2013 by Benjamin Lytal. Excerpted by permission of Penguin Books. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.