Explore our new BookBrowse Community Forum!

Excerpt from The Fever Tree by Jennifer McVeigh, plus links to reviews, author biography & more

Summary |  Excerpt |  Reading Guide |  Reviews |  Beyond the Book |  Readalikes |  Genres & Themes |  Author Bio

The Fever Tree by Jennifer McVeigh

The Fever Tree

by Jennifer McVeigh
  • BookBrowse Review:
  • Critics' Consensus:
  • Readers' Rating:
  • First Published:
  • Apr 4, 2013, 432 pages
  • Paperback:
  • Feb 2014, 448 pages
  • Rate this book

  • Buy This Book

About this Book

Print Excerpt


The doctor stood perfectly still, almost a silhouette against the window, with the fingertips of one cupped hand resting on the corner of her desk. There was something coldblooded about him. Where the light caught the edge of his face, she could see his skin was sallow and drawn. He must have been up all night. He licked at his lips to moisten them. "I think he is suffering from nervous exhaustion."

"Nervous exhaustion?" She gave a small laugh. "You're sure it's nothing else?"

He didn't reply.

"I don't think you know my father, Dr. Matthews. He isn't the nervous type."

"They often aren't."

"And what, in your professional opinion, has brought this exhaustion on?"

"Miss Irvine, you should get some sleep." He touched her lightly on her upper arm. "There is no use in worrying."

She shivered, shrugging off his hand, which might have been there out of professional concern but seemed to assume an intimacy between them. She regretted not having dressed before coming down. "Thank you, but I'm all right."

Then after a moment, she said, "Dr. Matthews, what concerns my father concerns me also."

"I suspect I couldn't tell you anything about him that you don't already know."

Whatever Edwin Matthews might think, this wasn't necessarily true. There was very little she knew about her father's life outside the house.

"I should like to know if he said something to you."

"Your father and I talked—yes—but for the most part about mining in Kimberley."

"He has investments in coal?"

"No!" He gave a thin, dry laugh. "Diamond mining, and he didn't mention investments. Kimberley is in South Africa. I live at the Cape."

She flushed. Of course, Kimberley was the famous diamond-mining town.

"Who painted these?" Edwin had picked up the watercolors of her father's roses which were laid out on the desk.

"I did." The weather had kept her indoors, and she had spent most of the past two weeks at her easel in the morning room. There had been few visitors, and the time had been marked out by the tapping of her paintbrush as she cleaned it in the jar and the muffled voices of the tradesmen which drifted up from the kitchen below.

"They're very good." He was looking at her closely, as if adjusting some calculation in her favor, and she felt an old annoyance. This was the same arrogance he had had as a child, always judging the world according to his own criteria.

"Were you taught to paint?" he asked.

"A little." She shrugged. "But always portraits. I prefer to paint plants." Frances enjoyed the meticulous task of committing every detail—the veins, hairs, and shifts in color which most eyes failed to notice—to the page. The painting was always a compromise. It looked so little like the thing you painted, but its difference—the struggle for representation—was also its beauty.

She pointed to the cut blooms in a jar on the table. "My father's roses. They're lovely, don't you think?"

"Perhaps, but I have never liked domesticated plants. There is something excessive in their prettiness." He paused. "They seem decorative to a fault."

"But splendid nonetheless."

"I can't admire splendor if the cost is sterility." He gestured to her watercolors. "These roses are either grown from cuttings because they can't propagate themselves, or they are grafted onto the stronger roots of other plants to help them survive. They have to be nurtured by the careful gardener in a perfectly controlled environment. Monstrosities, Darwin has called them. Deviations from their true form in nature."

"And if they were left to grow in the wild?" she asked, curious.

"They would either die or revert back to their aboriginal stock." He put the pictures down and said, "I should leave you to rest." As he walked past her towards the door, she stopped him, not wanting him to go without some kind of explanation.

Reprinted by arrangement with Amy Einhorn Books/Putnam, a member of Penguin Group(USA) Inc., from The Fever Tree by Jennifer McVeigh. Copyright © 2013 by Jennifer McVeigh.

Membership Advantages
  • Reviews
  • "Beyond the Book" articles
  • Free books to read and review (US only)
  • Find books by time period, setting & theme
  • Read-alike suggestions by book and author
  • Book club discussions
  • and much more!
  • Just $45 for 12 months or $15 for 3 months.
  • More about membership!

Top Picks

  • Book Jacket: Graveyard Shift
    Graveyard Shift
    by M. L. Rio
    Following the success of her debut novel, If We Were Villains, M. L. Rio's latest book is the quasi-...
  • Book Jacket: The Sisters K
    The Sisters K
    by Maureen Sun
    The Kim sisters—Minah, Sarah, and Esther—have just learned their father is dying of ...
  • Book Jacket: Linguaphile
    Linguaphile
    by Julie Sedivy
    From an infant's first attempts to connect with the world around them to the final words shared with...
  • Book Jacket
    The Rest of You
    by Maame Blue
    At the start of Maame Blue's The Rest of You, Whitney Appiah, a Ghanaian Londoner, is ringing in her...

Members Recommend

  • Book Jacket

    Pony Confidential
    by Christina Lynch

    In this whimsical mystery, a grumpy pony must clear his beloved human's name from a murder accusation.

Who Said...

To limit the press is to insult a nation; to prohibit reading of certain books is to declare the inhabitants to be ...

Click Here to find out who said this, as well as discovering other famous literary quotes!

Wordplay

Solve this clue:

F the M

and be entered to win..

Your guide toexceptional          books

BookBrowse seeks out and recommends the best in contemporary fiction and nonfiction—books that not only engage and entertain but also deepen our understanding of ourselves and the world around us.