Excerpt from Thank You for Your Service by David Finkel, plus links to reviews, author biography & more

1

Two years later: Adam drops the baby.

The baby, who is four days old, is his son, and there is a moment as he is falling that this house he has come home to seems like the most peaceful place in the world. Outside is the cold dead of 3:00 a.m. on a late-November night in Kansas, but inside is lamplight, the warm smell of a newborn, and Adam's wife, Saskia, beautiful Saskia, who a few minutes before had asked her husband if he could watch the baby so she could get a little sleep. "I got it," he had said. "I got it. Get some rest." She curled up in the middle of their bed, and the last thing she glimpsed was Adam reclined along the edge, his back against the headboard and the baby in his arms. He was smiling, as if contentment for this wounded man were possible at last, and she believed it enough to shut her eyes, just before he shut his. His arms soon relaxed. His grip loosened. The baby rolled off of his chest and over the edge of the bed, and here came that peaceful moment, the baby in the air, Adam and Saskia asleep, everyone oblivious, the floor still a few inches away, and now, with a crack followed by a thud, the moment is over and everything that will happen is under way.

Saskia is the one who hears it. It is not loud, but it is loud enough. Her eyes fly open. She sees Adam closed-eyed and empty-armed, and only when he hears screaming and feels the sharp elbows and knees of someone scrambling across him does he wake up from the sleep he had promised he didn't need. It takes him a second or two. Then he knows what he has done.

He says nothing. There is nothing he can say. He is sorry. He is always sorry now. He has been sorry for two years, ever since he slunk home from the war. He watches his wife scoop up the baby. He keeps watching, wishing she would look at him, willing her to, always so in need of forgiveness, but she won't. She clutches the crying baby as he dresses and leaves the room. He sits for a while in the dark, listening to her soothe the baby, and then he goes outside, gets into his pickup truck, and positions a shotgun so that it is propped up and pointed at his face. In that way, he starts driving, while back in the house, Saskia is trying to understand what happened. A crack. A thud. The thud was the floor, and thank God for the ugly carpet. But what was the crack? The bed frame? The nightstand?

This baby. So resilient. Breathing evenly. Not even a mark. Somehow fine. How can that be? But he is. Maybe he is one of the lucky ones, born to be okay. Saskia lies with him, then gets up and comes back with a plastic bottle of water. She drops it from the side of the bed and listens to the sound it makes as it hits the floor.

She drops a pair of heavy shoes and watches them bounce.

She finds a basketball and rolls it off the edge.

She fills a drink container with enough water to weigh about as much as the baby, and as Adam continues driving and considering the gun, not yet, not yet, not yet, not yet, she rolls that off the edge, too.

*   *   *

Two years. He is twenty-eight now, is out of the army, and has gained back some weight. When he left the war as the great Sergeant Schumann, he was verging on gaunt. Twenty-five pounds later, he is once again solid, at least physically. Mentally, though, it is still the day he headed home. Emory, shot in the head, is still draped across his back, and the blood flowing out of Emory's head is still rivering into his mouth. Doster, whom he might have loved the most, is being shredded again and again by a roadside bomb on a mission Adam was supposed to have been on, too, and after Doster is declared dead another soldier is saying to him, "None of this shit would have happened if you were there." It was said as a soldier's compliment—Adam had the sharpest eyes, Adam always found the hidden bombs, everyone relied on Adam—but that wasn't how he heard it then or hears it now. It might as well have been shrapnel, the way those words cut him apart. It was his fault. It is his fault. The guilt runs so deep it defines him now. He's always been such a good guy, people say of Adam. He's the one people are drawn to, who they root for, smart, decent, honorable, good instincts, that one. And now? "I feel completely broken," Adam says.

Copyright © 2013 by David Finkel