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The second was of an altogether different kind, disconcerting, for it revealed a side of Zafar that I had not the slightest knowledge of until then, when I had known him already for close to a decade. It was 1996, and my wife and I were settled into our new home in South Kensington, while Zafar had returned from New York and was living in London. At the end of the working day, our ties slack around our necks, the two of us met for a quick drink at a pub in Notting Hill, though our meeting up was by then less and less frequent. I had a few beers, and Zafar, as always, ordered one glass of champagne. His choice might have seemed rather pretentious but for the fact that Zafar could not hold his drink, did not much like alcohol, and, moreover, as he once explained to me, found champagne agreeable because it had all the fun of fizzy lemonade without the latter's unsettling effects on the stomach. At college, as was to be expected, his predilection attracted some mocking, but I like to think that over time his habit was seen as an endearing quirk.
After an hour, we set off on Portobello Road toward the crossroads where we were to part, I to catch a cab home and he to join Emily. I later learned that the troubles with Emily were already in full throe by this time, and I marvel now to think that as we sat in the pub and talked, he had disclosed nothing of those difficulties.
We were walking along the road when a voice boomed: Oi, mate. Zafar and I turned to see two men leaning against a railing, looking at us. Both had closely shaved heads and wore jeans, and both had a certain barbell muscularity. The first man, the one who had apparently spoken, was several inches taller than the other and wore only a white T-shirt despite the time of year, while the second wore an open leather jacket, ineffectively obscuring some of the excess weight around his torso. The tall man in the white T-shirt, so obviously the alpha male of the pair, fixed his attention on my friend. A quizzical expression spread across the man's face.
Do you speak English? he asked Zafar.
Zafar looked at him, turned his head toward the shorter man, and then turned back to the alpha male, before replying in the haughtiest Englishman's accent, affected to perfection: Terribly sorry. Not a word. Good day.
Zafar touched my elbow and we both turned and walked on. After a few steps, I asked him under my breath, What the hell was that about? When Zafar replied, he told me that from where I had been standing, I could not have seen what he saw.
Which was? I asked.
The shoulder of the man in the T-shirt, he said.
What? That the sleeves had been rolled up to the shoulder?
Revealing the tattoo of a swastika and beneath it the characters C18, he added.
I knew what a swastika meant but I had no idea about C18.
C18, explained Zafar, stands for Combat 18. The 1 corresponds to the first letter of the alphabet and the 8 to the eighth.
So what? I asked.
AH are the initials of Adolf Hitler and Combat 18 is a notoriously violent neo-Nazi group.
Oh, I said limply.
After three blocks, Zafar turned sharply into a mews leading us away from Portobello Road, saying that he wanted to take a detour. This seemed odd to me, given that he was already running a little late for supper with Emily.
Halfway down the empty mews, I heard the sound of footsteps on the cobblestones, and I turned to see the two skinheads now following. Zafar told me not to say a word and pulled to a stop. The men came up to us.
You being funny? said the man in the white T-shirt to Zafar. Bit of a smart aleck, eh? You dirty little Paki.
Are you a racist? Zafar asked the man.
Bit lippy, aren't we?
Zafar didn't reply but turned to me and said, Do you see this gentleman's shoulder? I looked at the man's shoulder, as did this man, the alpha male. He looked at his own shoulder.
Excerpted from In the Light of What We Know by Zia Haider Rahman. Copyright © 2014 by Zia Haider Rahman. Excerpted by permission of Farrar, Straus & Giroux. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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