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A Novel
by Michel Faber
"I think so," said Peter. "I believe so."
The chauffeur handed it back, non-committal. "Looks like a healthy cellphone to me."
Peter stepped under the shade of a metal canopy that overhung the fuel pumps. He tried once more to tap the correct sequence of symbols. This time, he was rewarded with a staccato melody: the international code followed by Bea's number. He held the metal lozenge to his ear and stared out at the unfamiliarly blue sky and the sculpted trees surrounding the truckstop.
"Hello?"
"It's me," he said.
". . . ello?"
"Can you hear me?" he said.
". . . hear you . . ." said Bea. Her voice was enveloped in a blizzard of static. Random words jumped out of the phone's tiny amplifier like stray sparks.
"I'm in Florida," he said.
". . . middle . . . night," she answered.
"I'm sorry. Did I wake you?"
". . . love you . . . how are . . . know what . . . ?"
"I'm safe and sound," he said. Sweat was making the phone slippery in his fingers. "Sorry to be calling you now but I may not get another chance later. The plane was delayed and we're in a big hurry."
". . . e . . . o . . . in the . . . me . . . guy know anything about . . . ?"
He walked further away from the vehicle, leaving the shade of the metal canopy. "This guy knows nothing about anything," he murmured, trusting that his words were being transmitted more clearly to her than hers were to him. "I'm not even sure if he works for USIC."
". . . haven't ask . . . ?"
"No, I haven't asked yet. I will." He felt a bit sheepish. He'd spent twenty, thirty minutes in the car with this chauffeur already and hadn't even established if he was an actual USIC employee or just a driver for hire. All he'd learned so far was that the photo of the little girl on the dashboard was the driver's daughter, that the driver was newly divorced from the little girl's mother, and that the mother's mom was an attorney who was working hard to make the driver regret the day he was born. "It's all very . . . hectic at the moment. And I didn't sleep on the flight. I'll write to you when I'm . . . you know, when I get to the other end. Then I'll have plenty of time and I'll put you in the picture. It'll be just like we're traveling together."
There was a rush of static and he wasn't sure if she had fallen silent or if her words were being swallowed up. He raised his voice: "How's Joshua?" ". . . first few . . . he just . . . o . . . ink . . . side . . ."
"I'm sorry, you're breaking up. And this guy wants me to stop talking. I have to go. I love you. I wish . . . I love you."
". . . you too . . ."
And she was gone.
"That your wife?" said the driver when Peter had settled back into the vehicle and they were pulling out of the truckstop.
Actually, no, Peter felt like saying, that was not my wife, that was a bunch of disassembled electronic noises coming out of a small metal device. "Yes," he said. His almost obsessional preference for face-to- face communication was too difficult to explain to a stranger. Even Beatrice had trouble understanding it sometimes.
"And your kid's called Joshua?" The driver seemed unconcerned by any social taboo against eavesdropping.
"Joshua's our cat," said Peter. "We don't have children."
"Saves a lot of drama," said the driver.
"You're the second person in two days who's told me that. But I'm sure you love your daughter."
"No choice!" The driver waved one hand toward the windscreen, to indicate the whole world of experience, destiny, whatever. "What does your wife do?"
"She's a nurse."
Excerpted from The Book of Strange New Things by Michel Faber. Copyright © 2014 by Michel Faber. Excerpted by permission of Hogarth Books. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
No matter how cynical you get, it is impossible to keep up
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