Excerpt from The Book of Strange New Things by Michel Faber, plus links to reviews, author biography & more

"Investments in what?"

"Lots of things."

Peter shielded his eyes with one hand; the glare was giving him a headache. He recalled that he'd asked the same question of his USIC interrogators, at one of the early interviews when Beatrice was still sitting in.

"We invest in people," the elegant female had replied, shaking her artfully clipped gray mane, laying her scrawny, delicate hands on the table.

"All corporations say that," Beatrice remarked, a bit rudely he thought.

"Well, we really mean it," said the older woman. Her gray eyes were sincere and animated by intelligence. "Nothing can be achieved without people. Individuals, unique individuals with very special skills." She turned to Peter. "That's why we're talking to you."

He'd smiled at the cleverness of this phrasing: it could function as flattery—they were talking to him because it was obvious he was one of these special people—or it could be a preamble to rejection—they were talking to him to maintain the high standards that would, in the end, disqualify him. One thing was for sure: the hints that he and Bea dropped about what a fine team they'd make if they could go on this mission together fell like cookie crumbs and disappeared into the carpet.

"One of us needs to stay and look after Joshua, anyway," said Bea when they discussed it afterward. "It would be cruel to leave him for so long. And there's the church. And the house, the expenses; I need to keep working." All valid concerns—although an advance payment from USIC, even a small fraction of the full sum, would have covered an awful lot of cat food, neighborly visits and heating bills. "It just would have been nice to be invited, that's all."

Yes, it would have been nice. But they were not blind to good fortune when it was offered. Peter had been chosen, from among many others who were not.

"So," he said to the driver, "how did you first get involved with USIC?"

"Bank foreclosed on our house."

"I'm sorry to hear that."

"Bank foreclosed on just about every damn house in Gary. Repossessed them, couldn't sell them, let them fall apart and rot. But USIC made us a deal. They took on the debt, we got to keep the house, and in exchange we worked for them, for like, grocery money. Some of my old pals called it slavery. I call it . . . humanitarian. And those old pals of mine, they're in trailer parks now. And here's me, driving a limousine."

Peter nodded. He'd already forgotten the name of the place where this guy was from, and he had only the vaguest grasp on the current health of the American economy, but he understood very well what it meant to be thrown a lifeline.

The limousine cruised gently to the right and was cloaked in cooling shade from the pine trees on the verge. A wooden road sign—the sort that normally advertised campsites, roadside grills or log-house holidays—announced an imminent turn-off for USIC.

"You go to any sinking city in the country," continued the driver, "and you'll find lots of people in the same boat. They may tell you they're working for this or that company, but scratch underneath, and they're working for USIC."

"I don't even know what the letters in 'USIC' stand for," said Peter. "Search me," said the driver. "A lot of companies these days got meaningless names. All the meaningful names have been taken. It's a trademark thing."

"I assume the US part means United States."

"I guess. They're multinational, though. Somebody even told me they started up in Africa. All I know is, they're good to work for. Never screwed me around. You'll be in good hands."

Into thy hands I commend my spirit, Peter naturally thought. Luke 23:46, fulfilling the prophesy of Psalms 31:5. Except that it wasn't clear into whose hands he was about to be delivered.

Excerpted from The Book of Strange New Things by Michel Faber. Copyright © 2014 by Michel Faber. Excerpted by permission of Hogarth Books. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.