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He's a person, I realise. A real person, skinny and bearded and wearing a blue T-shirt and with a water bottle in his hand and he is friendly and wary and a little in awe of the hawk. I think he might be a nice man.
'I hope I didn't startle you,' I begin apologetically. He grins and shakes his head.
'I was surprised! It's not something you see every day!'
I turn briefly to the hawk as she bends down to pull at the rabbit leg again. I open my mouth to speak. But when I look up he has gone.
It is bright, after heavy rain, and the crowds of closing time have gone. On this second expedition from the house Mabel grips the glove more tightly than ever. She is tense. She looks smaller and feels heavier in this mood, as if fear had a weight to it, as if pewter had been poured into her long and airy bones. The raindrop marks on her tight-feathered front run together into long lines like those around a downturned mouth. She picks fitfully at her food, but mostly she stares, taut with reserve, about her. She follows bicycles with her eyes. She hunches ready to spring when people come too close. Childen alarm her. She is unsure about dogs. Big dogs, that is. Small dogs fascinate her for other reasons.
After ten minutes of haunted apprehension, the goshawk decides that she's not going to be eaten, or beaten to death, by any of these things. She rouses and begins to eat. Cars and buses rattle fumily past, and when the food is gone she stands staring at the strange world around her. So do I. I've been with the hawk so long, just her and me, that I'm seeing my city through her eyes. She watches a woman throwing a ball to her dog on the grass, and I watch too, as baffled by what she's doing as the hawk is. I stare at traffic lights before I remember what they are. Bicycles are spinning mysteries of glittering metal. The buses going past are walls with wheels. What's salient to the hawk in the city is not what is salient to man. The things she sees are uninteresting to her. Irrelevant. Until there's a clatter of wings. We both look up. There's a pigeon, a woodpigeon, sailing down to roost in a lime tree above us. Time slows. The air thickens and the hawk is transformed. It's as if all her weapons systems were suddenly engaged. Red cross-hairs. She stands on her toes and cranes her neck. This. This flightpath. This thing, she thinks. This is fascinating. Some part of the hawk's young brain has just worked something out, and it has everything to do with death.
Excerpted from H is for Hawk by Helen Macdonald. Copyright © 2015 by Helen Macdonald. Excerpted by permission of Grove Press. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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