Excerpt from Submission by Michel Houellebecq, plus links to reviews, author biography & more

The way things were supposed to work (and I have no reason to think much has changed), young people, after a brief period of sexual vagabondage in their very early teens, were expected to settle down in exclusive, strictly monogamous relationships involving activities (outings, weekends, vacations) that were not only sexual, but social. Yet there was nothing final about these relationships. Instead, they were thought of as apprenticeships—in a sense, as internships (a practice that was generally seen in the professional world as a step toward one's first job). Relationships of variable duration (a year being, according to my own observations, an acceptable amount of time) and of variable number (an average of ten to twenty might be considered a reasonable estimate) were supposed to succeed one another until they ended, like an apotheosis, with the last relationship, this one conjugal and definitive, which would lead, via the begetting of children, to the formation of a family.

The complete idiocy of this model became plain to me only much later—rather recently, in fact—when I happened to see Aurélie and then, a few weeks later, Sandra. (But if it had been Chloé or Violaine, I'm convinced I would have reached the same conclusion.) The moment I walked into the Basque restaurant where Aurélie was meeting me for dinner, I knew I was in for a grim evening. Despite the two bottles of white Irouléguy that I drank almost entirely by myself, I found it harder and harder, and after a while almost impossible, to keep up a reasonable level of friendly conversation. For reasons I didn't entirely understand, it suddenly seemed tactless, almost unthinkable, to talk about the old days. As for the present, it was clear that Aurélie had never managed to form a long-term relationship, that casual sex filled her with growing disgust, that her personal life was headed for complete and utter disaster. There were various signs that she'd tried to settle down, at least once, and had never recovered from her failure. The sourness and bitterness with which she talked about her male colleagues (in the end we'd been reduced to discussing her professional life: she was head of communications for an association of Bordeaux winemakers, so she traveled a lot to promote French wines, mainly in Asia) made it painfully clear that she had been through the wringer. Even so, I was surprised when, just as she was about to get out of the taxi, she invited me up "for a nightcap." She's really hit rock bottom, I thought. From the moment the elevator doors shut, I knew nothing was going to happen. I didn't even want to see her naked, I'd rather have avoided it, and yet it came to pass, and only confirmed what I'd already imagined. Her emotions may have been through the wringer, but her body had been damaged beyond repair. Her buttocks and breasts were no more than sacks of emaciated flesh, shrunken, flabby, and pendulous. She could no longer—she could never again—be considered an object of desire.

My meal with Sandra followed a similar pattern, albeit with small variations (seafood restaurant, job with a pharmaceutical CEO), and it ended much the same way, except it seemed to me that Sandra, who was plumper and jollier than Aurélie, hadn't let herself go to the same degree. She was sad, very sad, and I knew her sorrow would overwhelm her in the end; like Aurélie, she was nothing but a bird in an oil slick; but she had retained, if I can put it this way, a superior ability to flap her wings. In one or two years she would give up any last matrimonial ambitions, her imperfectly extinguished sensuality would lead her to seek out the company of young men, she would become what we used to call a cougar, and no doubt she'd go on this way for several years, ten at the most, before the sagging of her flesh became prohibitive, and condemned her to a lasting solitude.

Copyright © 2015 by Michel Houellebecq and Flammarion

Translation copyright © 2015 by Lorin Stein