Excerpt from Not If I See You First by Eric Lindstrom, plus links to reviews, author biography & more

PROLOGUE

My alarm buzzes and I slap it off and tap the speech button at the same time. Stephen Hawking says, "Five-fifty-five am." Just double-checking, like always.

I crank open the window and stick out my hand. Cool, misty, but not too humid. Probably overcast. I pull on clothes—sports bra, sleeveless shirt, shorts, track shoes— without bothering to check anything, since all my running clothes are black.

Except my scarves. I finger through them, checking the plastic tags, gauging my mood. I feel strangely unsettled, so I pick one that might help: the yellow cotton with embroidered happy faces. I tie it around my head like a blindfold, settling a smile on each of my closed eyelids.

The rising sun is warm on my cheeks; the sky must be clear, at least at the horizon. I lock the front door and slip the cold key into my sock. Where the path turns to sidewalk, I turn right and start to jog.

The three blocks to the field are programmed into my feet, my legs, my equilibrium. After seven years of this I know every bump, every crack, every exposed root in the sidewalk. I don't need to see where I'm running; I can feel it.

"Parker, STOP!"

I stumble to a halt, waving my arms like I'm at the edge of a cliff. And if a backhoe came yesterday, I very well could be.

"I'm so sorry, Parker!" It's Mrs. Reiche's suffering-suburban- housewife voice calling from her porch. Now she's trotting down the driveway, keys jangling. "Len's brother came last night . . ."

I try not to imagine running into the side of his van. I walk forward, hands out, until I touch cold, dew-covered metal. "You don't have to move it." I trace my fingers along the slick car body as I walk around.

"Of course I'll move it. It'll be gone when you get back."

I find the sidewalk again and continue as the van growls behind me. I wait at the corner until Mrs. Reiche shuts it off to listen for traffic. I hear nothing but chattering birds, so I step into the intersection.

When I touch the chain link fence of Gunther Field I turn right. Fourteen steps to the gap and a left turn through it, one hand slightly forward in case today is the first time in years I misjudged the distance. I pass straight through, like always.

The field is over a hundred yards across. If any new obstacles have shown up since yesterday chances are low I'll find them with a single walk-through, but as crazy as it is to run here at all it's even crazier without walking it first.

I reach the far fence at one hundred and forty-two steps. Pretty typical and all clear. After a few more minutes of stretching, I'm ready to run. Seventy-five strides at a fair pace, a couple dozen walking steps to touch the far fence, and back again.

After five turns, it's time to sprint.

Sixty strides gets me within two dozen walking steps of the far side. Then sidestep a bit to line up again because of drift. The still air is warmer than yesterday but feels cool as I fly through it. The worst heat of summer is weeks away.

Ten sprints and I'm done. After crossing the street I jog to cool down, but I slow to a walk near the Reiches' driveway. I heard the car move but once a problem occurs to you it takes a while to forget it. On the other side where the driveway slopes up to become sidewalk again, I speed up.

The instant I open the front door I know something's wrong. I don't smell any breakfast. Even cereal days include toast. In the kitchen I hear only the normal sounds of a sleeping house: refrigerator humming, clock ticking over the stove, my breathing, and when I stop that to listen more closely, my heartbeat.

I head for the stairs and stumble on something in the hall. I squat and find my dad lying on the floor, wearing flannel pajama bottoms and a T-shirt.

Excerpted from Not If I See You First by Eric Lindstrom. Copyright © 2015 by Eric Lindstrom. Excerpted by permission of Little, Brown Books for Young Readers. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.