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The fugitive drank the bouillon from the edge of the pot; the tin should have burned his fingers, but it didn't: they had toughened, covered with layers of horny skin. We had nothing to say; he knew what I would ask, I knew how he would lie.
I left the fugitive my climbing boots, the pot, food, matches, two packs of cigarettes, my change of clothes, and my medicine chest. I knew that if he survived he would laugh over the idiot he had met and regret that he had not met me sooner when he was strong enough to rob and kill me, so that I would not turn him in. Calling for a police helicopter was my most frequent thought, and I sometimes imagined hearing the propeller blades through the rain, that it was passing by and would land, and that others would make the decision for me and drag him onboard. But for me to go through the pass and tell our radio man to call for a copterhere, near the former campit all took on another meaning; here the echo would have responded too readily to the barking of guard dogs and shots, if the fugitive tried to hide; here it was fundamentally wrong to appeal to the authorities, to the state, its court and justice; this place had its history, and it very strongly defined what was allowable here and what was not.
I climbed out of the hole to see how far the clouds were; behind me I heard metalthe fugitive was opening cans. I turned; the broth had given him a little strength, enough to use the shiv; I couldn't jump into the hole, he would kill me, he thought I wanted to take away the food; all the same, I jumped in to get my backpack, and he threw a rock at me; I tried to pull him away from the cans, but he poked at me with the shiv, growled, kicked, grabbed me with his free hand and held me down with his knee; I hit him, I was stronger, but strength meant nothing herehe was frenzied, he was guarding the hole, guarding the food; I knocked him down, but he rose and threw himself at my feet, biting down on my trousers, and tore deep into my calf with the shiv; I got out of the hole, and he began tossing out the pot, clothing, shoes, bandageseverything but the food; he no longer knew what things meant, and his mind still only recognized food as food. I bandaged my leg while he growled and choked down tinned meat, drank evaporated milk from a perforated can, and gulped down crackers with the wrapping paper; he was killing himself, after a long fast he would get twisted bowels, but he couldn't stop.
He died in an hour; even in convulsions he wouldn't let me approach; even dying, when I tried to press down on his belly, stick my fingers in his mouth to make him vomit, he hit and bit me; in his jacket pocket I later found an empty matchbox and three fingers smoked over a campfire; the meat was preserved and did not rot.
My mind was so debilitated and my emotions so drained that I actually wondered whether the fingers should be buried separately or with him in one grave; then I realized that the second, eaten fugitive was already inseparable from the first; I piled stones over the dead man and added some soil with my sapper's shovel; I did not try to remove the empty cans and wrappersI couldn't go down there again.
It was snowing; the low front had scattered the small foggy clouds and behind the blizzard, still quiet, transparent, I could see the ruins of the camp; a sunbeam broke through the clouds, illuminating the ruins, and it seemed that they were swallowing the cold glow of the snowy sun, the way light falls inside the rear of a sand storm; in that space of distortion and loss, the human does not function, there can be no care, or gift, or compassionthe distortions pull them into their orbits and swirl them into unwilling collaboration with evil.
That is how I see that camp and lake in the valley; there I understood everything that subsequently served as a guiding light.
Excerpted from Oblivion by Sergei Lebedev. Copyright © 2016 by Sergei Lebedev. Excerpted by permission of New Vessel Press. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Analyzing humor is like dissecting a frog. Few people are interested and the frog dies of it.
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