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But you don't.
Because we are the ants.
I didn't waste time thinking about the future until the night the sluggers abducted me and told me the world was going to end.
I'm not insane. When I tell you the human race is toast, I'm not speaking hyperbolically the way people do when they say we're all dying from the moment our mothers evict us from their bodies into a world where everything feels heavier and brighter and far too loud. I'm telling you that tomorrowJanuary 29, 2016you can kiss your Chipotleeating, Frappuccino-drinking, fat ass good-bye.
You probably don't believe meI wouldn't in your placebut I've had 143 days to come to terms with our inevitable destruction, and I've spent most of those days thinking about the future. Wondering whether I have or want one, trying to decide if the end of existence is a tragedy, a comedy, or as inconsequential as that chem lab I forgot to turn in last week.
But the real joke isn't that the sluggers revealed to me the date of Earth's demise; it's that they offered me the choice to prevent it.
You asked for a story, so here it is. I'll begin with the night the sluggers told me the world was toast, and when I'm finished, we can wait for the end together.
7 September 2015
The biggest letdown about being abducted by aliens is the abundance of gravity on the spaceship. We spend our first nine months of life floating, weightless and blind, in an amniotic sac before we become gravity's bitch, and the seductive lure of space travel is the promise of returning to that perfect state of grace. But it's a sham. Gravity is jealous, sadistic, and infinite.
Sometimes I think gravity may be death in disguise. Other times I think gravity is love, which is why love's only demand is that we fall.
Sluggers aren't gray. They don't have saucer-wide eyes or thin lipless mouths. As far as I know, they don't have mouths at all. Their skin is rough like wet leather and is all the colors of an algae bloom. Their black spherical eyes are mounted atop their heads on wobbly stalks. Instead of arms, they have appendages that grow from their bodies when required. If their UFO keys fall off the consoleboom!instant arm. If they need to restrain me or silence my terrified howls, they can sprout a dozen tentacles to accomplish the task. It's very efficient.
Oddly enough, sluggers do have nipples. Small brown buttons that appear to be as useless to them as most men's. It's comforting to know that regardless of our vast differences and the light-years that separate our worlds, we'll always have nipples in common.
I should slap that on a bumper sticker, © henry jerome denton.
Before you ask: no, the sluggers have never probed my anus. I'm fairly certain they reserve that special treat for people who talk on their phones during movies, or text while driving.
Here's how it happens: abductions always begin with shadows. Even in a dark room, with the windows closed and the curtains drawn, the shadows descend, circling like buzzards over a reeking lunch.
Then a heaviness in my crotch like I have to pee, growing painfully insistent regardless of how much I beg my brain to ignore it.
After that, helplessness. Paralysis. The inability to struggle. Fight. Breathe.
The inability to scream.
At some point the sluggers move me to the examination room. I've been abducted at least a dozen times, and I still don't know how they transport me from my bedroom to their spaceship. It happens in the dark space between blinks, in the void between breaths.
Once aboard, they begin the experiments.
That's what I assume they're doing. Trying to fathom the motives of an advanced alien race who possess the technological capacity to travel through the universe is like the frog I dissected in ninth grade trying to understand why I cut it open and pinned its guts to the table. The sluggers could be blasting me with deadly radiation or stuffing me full of slugger eggs just to see what happens. Hell, I could be some slugger kid's science fair project.
Excerpted from We Are the Ants by Shaun Hutchinson. Copyright © 2016 by Shaun Hutchinson. Excerpted by permission of Simon Pulse. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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