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One
The walls of my cell are painted an industrial white. They must think the color is soothing. Where I come from, it connotes absence, death, and loneliness.
People write to me. Mothers, mostly; they spew venom. That's not surprising. I have done the unthinkable. I have parted the veil and crossed into that other unseen country. They hate me because I am the worst thing possible. I am the bad mother.
But here's a secret: in America there are no good mothers. They simply don't exist. Always, there are a thousand ways to fail at this singularly important job. There are failures of the body and failures of the heart. The woman who is unable to breastfeed is a failure. The woman who screams for the epidural is a failure. The woman who picks her child up late knows from the teacher's cutting glance that she is a failure. The woman who shares her bed with her baby has failed. The woman who steels herself and puts on noise-canceling earphones to erase the screaming of her child in the next room has failed just as spectacularly. They must all hang their heads in guilt and shame because they haven't done it perfectly, and motherhood is, if anything, the assumption of perfection.
Then too, motherhood is broken because in this place, to be a good mother is to give yourself completely. It is to erase yourself. This is what I refused to do. So they shudder when they hear my name, but inwardly they smile because they have not failed in the way I have.
There are others who write. Men who find the grotesque act I have committed titillating. They send propositions and proposals of marriage that I tear up into scraps of white that match the walls of my cell. I hate their unknown, unseen faces. They remind me that in this country, celebrity is courted no matter the cause. The fact that strangers have heard your name and know the secrets of your life is supposed to be pleasing.
I never wanted this macabre interest, this unsettling notoriety. I never asked for it. I would have preferred to have been locked up and forgotten. Instead, I have become a known thing. My name, the one I had before, is gone. Instead I am named by the act I have committed. To be named thus is to be pinned down onto the corkboard with a needle piercing one's abdomen and a curl of paper underneath with one's genus and species on it in slanted writing. I have been named, and therefore you think you know my story, why I did what I did. To this I object. Perhaps this narrative is a way to undo your knowing, to say the truth is somewhere else entirely, and I will tell it in my own voice, in my own time.
And so, as all stories must open, in the beginning, when I was the child and not yet the mother
* * *
Birth. My face was pressed against the bones of Amma's pelvis, stuck there, so that instead of slipping out, I was bound like a lost fish in a too-narrow stream. It wasn't until the midwife, tiring of my mother's screams, reached in with her forceps, grabbed the side of my head, and wrenched me out that I was born and Amma was born into motherhood, both of us gasping from the effort of transformation.
For three months after, there was a hornlike protrusion on the left side of my head. It subsided eventually, but for those months my parents were alarmed. "We didn't know if it would ever go away. I didn't know what sort of child I had given birth to. You were the strangest creature. A little monster," Amma admitted. "But then the swelling went down and you were our perfect little girl."
After that, the doctor looked at my mother's slimness, her girlish frame, and said, "No more. Only this one. Any more will wreck you." She had wanted scores of children filling the grand old house. She had wanted so many to love her. The love of an entire army she had created herself. She rubbed her nose against mine and said, "Only you to love me. So you must love me double, triple, quadruple hard. Do you see?" I nodded. She kissed me on the forehead, searched my eyes. I was blissful in the sun of her love, my entire being turned like a flower toward her heat.
Excerpted from What Lies Between Us by Nayomi Munaweera. Copyright © 2016 by Nayomi Munaweera. Excerpted by permission of St. Martin's Press. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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