Excerpt from Here I Am by Jonathan Safran Foer, plus links to reviews, author biography & more

GET BACK TO HAPPINESS

When the destruction of Israel commenced, Isaac Bloch was weighing whether to kill himself or move to the Jewish Home. He had lived in an apartment with books touching the ceilings, and rugs thick enough to hide dice; then in a room and a half with dirt floors; on forest floors, under unconcerned stars; under the floorboards of a Christian who, half a world and three-quarters of a century away, would have a tree planted to commemorate his righteousness; in a hole for so many days his knees would never wholly unbend; among Gypsies and partisans and half-decent Poles; in transit, refugee, and displaced persons camps; on a boat with a bottle with a boat that an insomniac agnostic had miraculously constructed inside it; on the other side of an ocean he would never wholly cross; above half a dozen grocery stores he killed himself fixing up and selling for small profits; beside a woman who rechecked the locks until she broke them, and died of old age at forty-two without a syllable of praise in her throat but the cells of her murdered mother still dividing in her brain; and finally, for the last quarter century, in a snow-globe-quiet Silver Spring split-level: ten pounds of Roman Vishniac bleaching on the coffee table; Enemies, A Love Story demagnetizing in the world's last functional VCR; egg salad becoming bird flu in a refrigerator mummified with photographs of gorgeous, genius, tumorless great-grandchildren.

German horticulturalists had pruned Isaac's family tree all the way back to the Galician soil. But with luck and intuition and no help from above, he had transplanted its roots into the sidewalks of Washington, D.C., and lived to see it regrow limbs. And unless America turned on the Jews—until, his son, Irv, would correct—the tree would continue to branch and sprout. Of course, Isaac would be back in a hole by then. He would never unbend his knees, but at his unknown age, with unknown indignities however near, it was time to unball his Jewish fists and concede the beginning of the end. The difference between conceding and accepting is depression.

Even putting aside the destruction of Israel, the timing was unfortunate: it was only weeks before his eldest great-grandson's bar mitzvah, which Isaac had been marking as his life's finish line ever since he crossed the previous finish line of his youngest great-grandson's birth. But one can't control when an old Jew's soul will vacate his body and his body will vacate the coveted one-bedroom for the next body on the waiting list. One can't rush or defer manhood, either. Then again, the purchase of a dozen nonrefundable airplane tickets, the booking of a block of the Washington Hilton, and the payment of twenty-three thousand dollars in deposits for a bar mitzvah that has been on the calendar since the last Winter Olympics are no guarantee that it's going to happen.

*   *   *

A group of boys lumbered down the halls of Adas Israel, laughing, punching, blood rushing from developing brains to developing genitals and back again in the zero-sum game of puberty.

"Seriously, though," one said, the second s getting caught on his palate expander, "the only good thing about blowjobs are the wet handjobs you get with them."

"Amen to that."

"Otherwise you're just boning a glass of water with teeth."

"Which is pointless," said a redheaded boy who still got chills from so much as thinking about the epilogue of Harry Potter and the Deathly Hallows.

"Nihilistic."

If God existed and judged, He would have forgiven these boys everything, knowing that they were compelled by forces outside of themselves inside of themselves, and that they, too, were made in His image.

Silence as they slowed to watch Margot Wasserman lapping water. It was said that her parents parked two cars outside their three-car garage because they had five cars. It was said that her Pomeranian still had its balls, and they were honeydews.

Excerpted from Here I Am by Jonathan Safran Foer. Copyright © 2016 by Jonathan Safran Foer. Excerpted by permission of Farrar, Straus & Giroux. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.