Excerpt from A Piece of the World by Christina Baker Kline, plus links to reviews, author biography & more

"Looks like a nice place to live," I say. The house is snug and cozy, a fairy-tale version of the one Al and I actually live in, the only hint of its decay in smudges of blue and brown.

Andy laughs. "You tell me." Running two fingers over the paper, he says, "Such stark lines. There's something about this place . . . You've lived here a long time?"

I nod.

"I sense that. That it's a place filled with stories. I'll bet I could paint it for a hundred years and never get tired of it."

"Oh, you'd get tired of it," Al says.

We all laugh.

Andy claps his hands together. "Hey, guess what? Today is my birthday."

"Is it really?" Betsy asks. "You didn't tell me."

He puts his arm around her and tugs her toward him. "Didn't I? I feel like you know everything about me already."

"Not yet," she says.

"What's your age?" I ask him.

"Twenty-two."

"Twenty-two! Betsy's only seventeen."

"A mature seventeen," Betsy blurts, color rising to her cheeks.

Andy seems amused. "Well, I've never cared much about age. Or maturity."

"How are you going to celebrate?" I ask.

He raises an eyebrow at Betsy. "I'd say I'm celebrating right now."

Betsy doesn't show up again until several weeks later, when she bursts into the kitchen and practically dances across the floor. "Christina, we are engaged," she says breathlessly, clasping my hand.

"Engaged?!"

She nods. "Can you believe it?"

You're so young, I start to say; it's too quick, you hardly know each other . . .

Then I think of my own life. All the years, all the waiting that led to nothing. I saw how the two of them were together. The spark between them. 'I feel like you know everything about me already.' "Of course I can," I say.

Ten months later, a postcard arrives. Betsy and Andy are married. When they return to Maine for the summer, I hand Betsy a wedding gift: two pillowcases I made and embroidered with flowers. It took me four days to make the French knots for the daisies and the tiny buttonhole-stitch leaves; my hands, stiff and gnarled, don't work the way they used to.

Betsy looks closely at the embroidery and holds the pillowcases to her chest. "I will treasure these. They're perfect."

I give her a smile. They're not perfect. The lines are uneven, the flower petals spiky and overlarge; the cotton is marked faintly with the residue of ripped stitches.

Betsy has always been kind.

She shows me photographs from their upstate New York wedding ceremony: Andy in a tuxedo, Betsy in white with gardenias in her hair, both beaming with joy. After their five-day honeymoon, she tells me, she'd assumed they would drive to Canada for the wedding of a close friend, but Andy said he had to get back to work.

"He'd told me before we were married that was how it would be," she says. "But I didn't quite believe it until that moment."

"So did you go by yourself?"

She shakes her head. "I stayed with him. This is what I signed up for. The work is everything."

Out the kitchen window I see Andy trudging up the field toward the house, hitching one leg forward, dragging the other, his gait uneven. Strange that I didn't notice that before. Here he

is at the door in paint-flecked boots, a white cotton shirt rolled to the elbow, a sketch pad under his arm. He knocks, two firm raps, and pulls open the screen. "Betsy has some errands to do.

Is it okay if I hang around?"

I try to act nonchalant, but my heart is racing. I can't remember the last time I was alone with a man other than Al. "Suit yourself."

He steps inside.

He's taller and handsomer than I remember, with sandy brown hair and piercing blue eyes. There's something equine about the way he tosses his head and shifts his feet. A pulsating thrum. In the Shell Room he runs his hand along the mantelpiece, brushing off the dust. Picks up Mother's cracked white teapot and turns it around. Cups my grandmother's chambered nautilus in his hand and leafs through the filmy pages of her old black bible. No one has opened my poor drowned uncle Alvaro's sea chest in decades; it screeches when he lifts the lid. Andy picks up a shell-framed portrait of Abraham Lincoln, looks at it closely, sets it down. "You can feel the past in this house," he says. "The layers of generations. It reminds me of The House of the Seven

Excerpted from A Piece of the World by Christina Baker Kline. Copyright © 2017 by Christina Baker Kline. Excerpted by permission of William Morrow. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.