Excerpt from I See You by Clare Mackintosh, plus links to reviews, author biography & more

Kelly jumped off the train just as the doors hissed behind her. She thought at first she'd lost him, then she caught sight of a baseball cap ten or so yards ahead; not running, but weaving swiftly through the throng of passengers leaving the platform.

If Kelly had learned one thing over the last ten years on the Underground, it was that politeness got you nowhere.

"Mind your backs!" she yelled, breaking into a run and shoving her way between two elderly tourists dragging suitcases. "Coming through!" She might have lost him that morning, and copped a bruised shoulder as a result, but she wasn't about to let him get away again. She thought fleetingly of the supper she had hoped would be waiting for her at home, and calculated this was going to add at least two hours on to her day. But needs must. She could always grab a kebab on the way home.

Carl was legging it up the escalator. Rookie error, Kelly knew, taking the steps instead. Fewer tourists to negotiate and easier on the thighs than the jerky, uneven motion of a moving stairway. Even so Kelly's muscles were burning as she drew parallel with Carl. He threw a quick look over his left shoulder as they reached the top, then swerved right. For fuck's sake, Carl, she thought. I should be booking off now.

With a final burst of speed she caught up with him as he was preparing to vault the ticket barrier, grabbing a handful of jacket with her left hand and twisting one arm up behind his back with her right. Carl made a halfhearted attempt to pull away, knocking her off balance and causing her hat to fall to the ground. Kelly was aware of someone picking it up and hoped they weren't going to run off with it. She was already in the doghouse with Stores for losing her baton in a scrap the other week—she could do without another telling-off.

"Warrants have got a Fail to Appear with your name on it, mate," Kelly said, her words punctuated with breaths that were hard to take within the confines of a stab vest. She reached for her belt and unclipped her cuffs, snapping them deftly onto Carl's wrists and checking for tightness. "You're nicked."

 

I see you. But you don't see me. You're engrossed in your book; a paperback cover with a girl in a red dress. I can't see the title but it doesn't matter; they're all the same. If it isn't boy meets girl, it's boy stalks girl. Boy kills girl.

The irony isn't lost on me.

At the next stop I use the incoming swell of commuters as an excuse to move closer to you. You hang from the strap in the center of the carriage, reading one-handed, turning the page with a well-practiced thumb. We're so close now that our coats are touching, and I can smell the vanilla base of your perfume; a scent that will have long since faded by the time you leave work. Some women disappear into the loos at lunchtime; touch up their makeup, add a spritz of fragrance. Not you. When I see you after work the dark gray makeup on your lids will have drifted into tired shadows beneath your eyes; the tint on your lips transferred to countless cups of coffee.

You're pretty, though, even at the end of a long day. That counts for a lot. Not that it's always about beauty; sometimes it's exotic looks, or large breasts, or long legs. Sometimes it's class and elegance—all tailored navy trousers and tan heels—and sometimes it's brassy and cheap. Slutty, even. Variety is important. Even the finest steak becomes dull when you eat it all the time.

Your handbag is larger than average. You usually carry it over your shoulder, but when the train is busy—as it is at this stage of your commute—you put it on the floor, between your legs. It has slouched open, allowing me to see inside. A wallet—soft brown calf leather with a gilt clasp. A hairbrush, blonde hairs trailing from its bristles. A reusable shopping bag, neatly rolled into a ball. A pair of leather gloves. Two or three brown envelopes, torn open then pushed into the bag along with their contents. Post snatched from the doormat after breakfast, opened on the platform while you wait for your first train. I crane my neck to read what is printed on the uppermost envelope.

Excerpted from I See You by Clare Mackintosh. Copyright © 2017 by Clare Mackintosh. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.