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It was Frederick's idea to do Midsummer as a pajama party. James and I (Lysander and Demetrius, respectively) wore striped boxers and white undershirts and stood glaring at each other, with Wren (Hermia, in a short pink nightgown) trapped between us. Filippa stood on my left in Helena's longer blue nightdress, clutching the pillow she and Wren had walloped each other with in Act III. In the middle of the photo, Alexander and Meredith were wrapped around each other like a pair of snakeshe a sinister and seductive Oberon in slinky silk bathrobe, she a voluptuous Titania in revealing black lace. But Richard was the most arresting, standing among the other rude mechanicals in clownish flannel pajamas, enormous donkey ears protruding from his thick black hair. His Nick Bottom was aggressive, unpredictable, and totally deranged. He terrorized the fairies, tormented the other players, scared the hell out of the audience, andas alwaysstole the show.
The seven of us had survived three yearly "purges" because we were each somehow indispensable to the playing company. In the course of four years we were transformed from a rabble of bit players to a small, meticulously trained dramatic troupe. Some of our theatrical assets were obvious: Richard was pure power, six foot three and carved from concrete, with sharp black eyes and a thrilling bass voice that flattened every other sound in a room. He played warlords and despots and anyone else the audience needed to be impressed by or afraid of. Meredith was uniquely designed for seduction, a walking daydream of supple curves and skin like satin. But there was something merciless about her sex appealyou watched her when she moved, whatever else was happening, and whether you wanted to or not. (She and Richard had been "together" in every typical sense of the word since the spring semester of our second year.) WrenRichard's cousin, though you never would have guessed it by looking at themwas the ingénue, the girl next door, a waifish thing with corn silk hair and round china doll eyes. Alexander was our resident villain, thin and wiry, with long dark curls and sharp canine teeth that made him look like a vampire when he smiled.
Filippa and I were more difficult to categorize. She was tall, olive-skinned, vaguely boyish. There was something cool and chameleonic about her that made her equally convincing as Horatio or Emilia. I, on the other hand, was average in every imaginable way: not especially handsome, not especially talented, not especially good at anything but just good enough at everything that I could pick up whatever slack the others left. I was convinced I had survived the third-year purge because James would have been moody and sullen without me.
Fate had dealt us a good hand in our first year, when he and I found ourselves squashed together in a tiny room on the top floor of the dormitories. When I'd first opened our door, he looked up from the bag he was unpacking, held out his hand, and said, "Here comes Sir Oliver! You are well met, I hope." He was the sort of actor everyone fell in love with as soon as he stepped onstage, and I was no exception. Even in our early days at Dellecher, I was protective and even possessive of him when other friends came too close and threatened to usurp my place as "best"an event as rare as a meteor shower. Some people saw me as Gwendolyn always cast me: simply the loyal sidekick. James was so quintessentially a hero that this didn't bother me. He was the handsomest of us (Meredith once compared him to a Disney prince), but more charming than that was his childlike depth of feeling, onstage and off-. For three years I enjoyed the overflow of his popularity and admired him intensely, without jealousy, even though he was Frederick's obvious favorite in much the same way that Richard was Gwendolyn's. Of course, James did not have Richard's ego or temper and was liked by everyone, while Richard was hated and loved with equal ferocity.
Excerpted from If We Were Villains by M L Rio. Copyright © 2017 by M L Rio. Excerpted by permission of Flatiron Books. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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