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Stories
by Lesley Nneka Arimah
She will have two daughters. The first she names Biafra out of spite, as though to say, Look, Mother, pin your hopes on another fragile thing. And the second is named after her mother, who has since died and doesn't know that her daughter has forgiven her for choosing the losing side and named her youngest child Ezinma, who fumbles the key against the lock and doesn't see what came behind her: her sister, whom everyone has taken to calling Bibi, because what nonsense to name a child after a country that doesn't exist.
Bibi, who is beautiful in a way her mother never was. Bibi, stubborn like her mother was always. They've fought since Bibi was in the womb, lying so heavy on her mother's cervix a light jog could have jostled her out. Bedridden, Bibi's mother grew to resent her and stewed so hot the child should have boiled in her belly. And three years later, Ezinma, pretty, yes, but in that manageable way that causes little offense. She is a ghost of Bibi, paler in tone and personality, but sweet in the way Bibi can be when Bibi wants something. Bibi loathes her. No, Ezinma can't play with Bibi's toys; no, Ezinma can't walk with Bibi and her friends to school; no, Ezinma can't have a pad, she'll just have to wad up tissues and deal with it. Ezinma grows up yearning for her sister's affection.
When Bibi is twenty-one and her parents are struggling to pay the university fees, she meets Godwin, yellow skinned and square jawed like his father, and falls in love. She falls harder when her mother warns her away. And when her mother presses, say- ing, You don't know what his people are like, I do, Bibi responds, You're just angry and bitter that I have a better man than you, and her mother slaps her and that's the end of that conversation. Ezinma serves as go-between, a role she's been shanghaied into since her youth, and keeps Bibi apprised of all the family news, despite their mother's demands that Ezinma cut her off.
And Godwin is a better provider than Bibi's father, now a modest trader. He rents her a flat. He lends her a car. He blinds her with a constellation of gifts, things she's never had before, like spending money and orgasms. The one time she brings up marriage, he walks out and she can't reach him for twelve days. Twelve days that put the contents of her bank account in stark relief; twelve days that she sits in the flat that's in his name, drives the car also in his name, and wonders what is so precious about this name he won't give to her. And when he finally returns to see her packing and grabs her hair, pulling, screaming that even this is his, she is struck . . . by his fist, yes, but also by the realization that maybe her mother was right.
The reunion isn't tender. Bibi's right eye is almost swollen shut and her mother's mouth is pressed shut and they neither look at nor speak to each other. Her father, who could never bear the tension between the two women, the memories of his turbulent childhood brought back, squeezes Bibi's shoulder, then leaves, and it is that gentle pressure that starts her tears. Soon she is sobbing and her mother is still stone-faced, but it is a wet face she turns away so no one can see. Ezinma takes Bibi to the bathroom, the one they've shared and fought over since they were old enough to speak. She sits her on the toilet lid and begins to clean around her bruises. When she is done, it still looks terrible. When Bibi stands to examine her face, they are both in the mirror. I still look terrible, Bibi says. Yes you do, Ezinma replies, and they are soon laughing, and in their reflection they notice for the first time that they have the exact same smile. How have they gone this long without seeing that? Neither knows. Bibi worries about her things that are still in the flat. Ezinma says not to worry, she will get them. Why are you still nice to me? Bibi asks. Habit, Ezinma says. Bibi thinks about it for a moment and says something she has never said to her sister. Thank you.
From What It Means When a Man Falls from the Sky. Published by Riverhead Books, a member of Penguin Group USA (LLC). Copyright © Lesley Nneka Arimah, 2017.
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