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And maybe I had; most of my fellow onlookers wore grim, disapproving expressions as they glared at the spectacle playing out in front of them.
Suddenly a gaggle of men in rumpled police outfits burst onto the scene, skittering around a corner and toward the camera, jumping about, falling down on their behinds, slapping one another with nightsticks. In the middle of the wide, unpaved street stood a narrow gate. Only the gate, no fence. And to my glee, instead of running around the gatethe obvious visual effectthe policemen fumbled with the latch, then patiently took turns spilling through the now-open gate, one by one.
The smallest of the police, a slight young man with curly black hair, didn't simply tumble through the gate; he leaped into the air, turned a somersault, and landed on one foot, the other leg extended in a stunningly graceful arabesque. I couldn't help it; I clapped wildly.
The little man whirled toward me; I could see his eyes gleaming impishly. He tipped his hat, wiggled his nose, and hitched up his baggy pantsthen dashed after the rest.
Excerpted from The Girls in the Picture by Melanie Benjamin. Copyright © 2018 by Melanie Benjamin. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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