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CHAPTER ONE
Look, I am aware that you're here for an epic tale of intrigue and mystery and adventure and near death and actual death, but in order to get to that (unless you want to skip to chapter 13I'm not your boss), you're going to have to deal with the fact that I, April May, in addition to being one of the most important things that has ever happened to the human race, am also a woman in her twenties who has made some mistakes. I am in the wonderful position of having you by the short hairs. I have the story, and so I get to tell it to you the way I want. That means you get to understand me, not just my story, so don't be surprised if there's some drama. I'm going to attempt to come at this account honestly, but I'll also admit to a significant pro-me bias. If you get anything out of this, ideally it won't be you being more or less on one side or the other, but simply understanding that I am (or at least was) human.
And I was very much feeling only human as I dragged my tired ass down 23rd Street at 2:45 a.m. after working a sixteen-hour day at a start-up that (thanks to an aggressively shitty contract I signed) will remain nameless. Going to art school might seem like a terrible financial decision, but really that's only true if you have to take out gobs and gobs of student loans to fund your hoity-toity education. Of course, I had done exactly that. My parents were successful, running a business providing equipment to small and medium-sized dairy farms. Like, the little things you hook up to cows to get the milk out, they sold and distributed them. It was good business, good enough that I wouldn't have had a lot of debt if I'd gone to a state school. But I did not do that. I had loans. Lots. So, after jumping from major to major (advertising, fine art, photography, illustration) and finally settling on the mundane (but at least useful) BFA in design, I took the first job that would keep me in New York and out of my old bedroom in my parents' house in Northern California.
And that was a job at a doomed start-up funded by the endless well of rich people who can only dream the most boring dream a rich person can dream: being even more rich. Of course, working at a start-up means that you're part of the "family," and so when things go wrong, or when deadlines fly past, or when an investor has a hissy fit, or just because, you don't get out of work until three in the morning. Which, honestly, I hated. I hated it because the company's time- management app was a dumb idea and didn't actually help people, I hated it because I knew I was just doing it for money, and I hated it because they asked the staff to treat it like their whole life rather than like a day job, which meant I didn't have any time to spare to work on personal projects.
BUT!
I was actually using my degree doing actual graphic design and getting paid enough to afford rent less than one year out of school. My work environment was close to technically criminal and I paid half of my income to sleep in the living room of a one-bedroom apartment, but I was making it work.
I fibbed just now. My bed was in the living room, but I mostly slept in the bedroomMaya's room. We weren't living together, we were roommates, and April-from-the-past would want me to be very clear about that. What's the difference between those two things? Well, mostly that we weren't dating before we moved in together. Hooking up with your roommate is convenient, but it is also a little confusing when you lived together through much of college. Before finally hooking up and have now been a couple for more than a year.
If you happen to already live together, when does the "Should we move in together?" question come up? Well, for Maya and me, the question was "Can we please move that secondhand mattress out of the living room so that we can sit on a couch when we watch Netflix?" and thus far my answer had been "Absolutely not, we are just roommates who are dating." Which is why our living room still had a bed in it.
Excerpted from An Absolutely Remarkable Thing by Hank Green. Copyright © 2018 by Hank Green. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Dictators ride to and fro on tigers from which they dare not dismount. And the tigers are getting hungry.
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