Excerpt from The Island of Sea Women by Lisa See, plus links to reviews, author biography & more

Together we left the bulteok. We'd return several hours later to store and repair our equipment, measure the day's harvest, divvy up the proceeds, and, most important, warm up again. We might even cook and share a little of what we'd brought back in our nets, if the harvest was bountiful. I looked forward to it all.

As the other women boarded the boat, Mi-ja and I lingered on the jetty. She rummaged through her basket and pulled out a book, while I brought out a piece of charcoal from my basket. She ripped a page from the book and held it over the written character name for the boat. Even tied up, it bobbed in the waves, making it nearly impossible for Mi-ja to keep the paper steady and for me to rub it with the charcoal. Once I was done, we took a moment to examine the result: a shadowy image of a character we couldn't read but knew meant "Sunrise." We'd been commemorating our favorite moments and places this way for years. It wasn't our best rubbing, but with it we'd remember today forever.

"Hurry along," Mother called down to us, tolerant but only up to a point.

Mi-ja tucked the paper back in the book to keep it safe, then we scrambled aboard and took up oars. As we slowly rowed away from the jetty, my mother led us in song.

"Let us dive." Her gravelly voice cut through the wind to reach my ears.

"Let us dive," we sang back to her, our rowing matching the rhythm of the melody.

"Golden shells and silver abalones," she sang.

"Let us get them all!" we responded.

"To treat my lover ..."

"When he comes home."

I couldn't help but blush. My mother didn't have a lover, but this was a much-beloved song and all the women liked it.

The tide was right, and the sea was relatively calm. Still, despite the rowing and singing, I began to feel sick to my stomach and Mi-ja's usually pink cheeks turned an ashen gray. We brought up our oars when we reached the diving spot. The boat dipped and swayed in the light chop. I attached my bitchang to my wrist and grabbed my net and tewak. A light wind blew, and I began to shiver. I was feeling pretty miserable.

"For a thousand years, for ten thousand years, I pray to the Dragon Sea God," Mother called out across the waves. "Please, ocean king spirit, no strong winds. Please no strong currents." She poured offerings of rice and rice wine into the water. With the ritual completed, we wiped the insides of our goggles with the mugwort we'd picked to keep them from fogging up and then positioned them over our eyes. Mother counted as each woman jumped into the water and swam away in twos and threes. With fewer women on board to help weigh down the boat, it rocked even worse. Yu-ri steadied herself before finally leaping over a swell and into the water. The Kang sisters held hands when they jumped. Those two were inseparable. I hoped their loyalty would now expand to include Mi-ja, and they'd watch out for her in the same way they did each other.

Mother gave some final advice: "The sea, it is said, is like a mother. The salt water, the pulse and surges of the current, the magnified beat of your heart, and the muffled sounds reverberating through the water together recall the womb. But we haenyeo must always think about making money ... and surviving. Do you understand?" When we nodded, she went on. "This is your first day. Don't be greedy. If you see an octopus, ignore it. A haenyeo must learn how to knock out an octopus underwater, or else it could use its arms against you. And stay away from abalone too!"

She didn't have to explain more. It can take months before a beginning haenyeo is ready to risk prying an abalone from a rock. Left alone, the creature floats its shell off a rock, so that the sea's nourishing waters can flow in and around it. When surprised—even if it's only by the shift in current caused by a large fish swimming past—it will clamp itself to a rock so that the hard shell protects the creature inside from all predators. As a result, an abalone must be approached carefully and the tip of the bitchang inserted under the shell and flipped off the rock in one swift movement before the abalone can clamp down on the tool attached to a diver's wrist, thereby anchoring her to the rock. Only years of experience can teach a woman how to get loose and still have enough time left over to reach the surface for air. I was in no hurry to attempt such a hazardous activity.

Excerpted from The Island of Sea Women by Lisa See. Copyright © 2019 by Lisa See. Excerpted by permission of Scribner. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.