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W.P.A. workers cut trails into the side of Mt. Joy, assisted by the Civilian Conservation Corps boys from Camp Thistle and Camp Bountiful. I'd seen these young men around town, on leave from the woods, in their mud-caked boots and khaki shirts with the government logo. Their greasy faces clumped together like olives in a jar. They were the young mechanics who had wrenched the lift out of a snowy void and into skeletal, functioning existence. To raise bodies from the base of the mountain to the summit in eleven minutes! It sounded like one of Jules Verne's visions.
"See that platform?" I said to Clara. "Stand there, and fall back into the next chair. I'll be right behind you."
At first, the climb was beautiful. An evergreen army held its position in the whipping winds. Soon, the woods were replaced by fields of white. Icy outcroppings rose like fangs out of a pink-rimmed sky. We rose, too, our voices swallowed by the cables' groaning. Clara was singing something that I strained to hear, and failed to comprehend.
***
Clara and I called ourselves the Prospectors. Our fathers, two very different kinds of gambler, had been obsessed with the Gold Rush, and we grew up hearing stories about Yukon fever and the Klondike stampeders. We knew the legend of the farmer who had panned out a hundred and thirty thousand dollars, the clerk who dug up eighty-five thousand, the blacksmith who discovered a haul of the magic metal on Rabbit Creek and made himself a hundred grand richer in a single hour. This period of American history held a special appeal for Clara's father, Mr. Finisterre, a bony-faced Portuguese immigrant to southwestern Florida who had wrung his modest fortune out of the sea-damp wallets of tourists. My own father had killed himself outside the dog track in the spring of 1931, and I'd been fortunate to find a job as a maid at the Hotel Finisterre.
Clara Finisterre was the only other maid on staff—a summer job. Her parents were strict and oblivious people. Their thousand rules went unenforced. They were very busy with their guests. A sea serpent, it was rumored, haunted the coastline beside the hotel, and ninety per cent of our tourism was serpent-driven. Amateur teratologists in Panama hats read the newspaper on the veranda, drinking orange juice and idly scanning the horizon for fins.
"Thank you," Mr. Finisterre whispered to me once, too sozzled to remember my name, "for keeping the secret that there is no secret." The black Atlantic rippled emptily in his eyeglasses.
Every night, Mrs. Finisterre hosted a cocktail hour: cubing green and orange melon, cranking songs out of the ivory gramophone, pouring bright malice into the fruit punch in the form of a mentally deranging Portuguese rum. She'd apprenticed her three beautiful daughters in the Light Arts, the Party Arts. Clara was her eldest. Together, the Finisterre women smoothed arguments and linens. They concocted banter, gab, palaver, patter—every sugary variety of small talk that dissolves into the night. I hated the cocktail hour, and, whenever I could, I escaped to beat rugs and sweep leaves on the hotel roof. One Monday, however, I heard footsteps ringing on the ladder. It was Clara. She saw me and froze.
Bruises were thickening all over her arms. They were that brilliant pansy-blue, the beautiful color that belies its origins. Automatically, I crossed the roof to her. We clacked skeletons; to call it an "embrace" would misrepresent the violence of our first collision. To soothe her, I heard myself making stupid jokes, babbling inanities about the weather, asking in my vague and meandering way what could be done to help her; I could not bring myself to say, plainly, Who did this to you? Choking on my only real question, I offered her my cardigan—the way you'd hand a sick person a tissue. She put it on. She buttoned all the buttons. You couldn't tell that anything was wrong now. This amazed me, that a covering so thin could erase her bruises. I'd half-expected them to bore holes through the wool.
Excerpted from Orange World and Other Stories by Karen Russell. Copyright © 2019 by Karen Russell. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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