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"Jesus Christ," Orla hissed. "Floss, he sees us."
"It's okay." Floss took a sip of whiskey. "He lets me use the deck. It's just his crash pad anyway, 'cause he works here. He really lives in Delaware." She passed the bottle to Orla.
"But..." Orla looked at the toddler car, then back at the man in the penthouse. He was still watching them. "But it's weird."
Floss shrugged. "Whatever. He's, like, Ukrainian."
They drank and talked, but did more of the former than the latter, the conversation stalling constantly. Orla sensed that Floss wanted both of them drunker before she said what she wanted to say. Finally, as Orla answered Floss's demand to know who had lived in her bedroom before her—big-haired Jeannette, with the sportscaster ambitions, then shy Priya, with the endless visiting relatives—Floss cut her off to confess something.
"So, like, I know who you are," she said. "I mean, I know your name. I just didn't know that you were my roommate. To be honest, when we met that first day, I forgot your name as soon as you said it—you know how that happens? I decided it was Olga." Floss spread her hands, swinging the whiskey by the neck. "And here, all along, you were Orla Cadden. I know your work."
"My work?" Orla repeated. It seemed too grand a term for blogging.
Floss didn't hesitate. "Sage Sterling," she said. "Pretty sad, her dying and all."
"It was sad," Orla agreed. She actually, absurdly, did kind of miss Sage.
"You wrote about her one hundred and twenty-three times in the last year," Floss said, swiping her manicured finger over her phone. Orla could see her own name and headshot atop the list of headlines on the screen. "Here's the one where you listed what was in that salad the paparazzi always snapped her eating," Floss murmured. "I liked that."
"It was the best traffic anything on her ever did," Orla said. "Even better than when I wrote she died."
Floss waited for a siren to fade, then said: "Do you think you could do that—what you did for her—for me?"
"Um," Orla said. "I just called the salad place, and they told me what she got. It was just a standard Cobb with edamame, if you think about it."
"Not that." Floss took a swallow of whiskey and set the bottle on the edge of the roof. "The first time you wrote about Sage," she said, "she was just the daughter of some studio executive. She was nobody."
"Right, but then she started to act," Orla protested. "She got the Some Like It Hot remake pretty much right away—"
"No." Floss shook her head hard. A segment of her fake hair was starting to come loose, its sticky root sagging into view. "No, she did not get it right away. First she was in that photo, when all those models went to one of those dumb strip mall places where you drink and paint the same paintings. They Instagrammed it, and you did that post identifying everyone in the picture."
Orla had forgotten that that was how it started.
"That, just that, was enough to get her a publicist," Floss went on. "And the publicist got someone to send her those boots, the white leather ones with the rainbow laces. And she wore them, so the boot people sent the pictures to bloggers. You remember getting those pictures?"
Orla nodded. The post she had turned them into was headlined "Sage Sterling's Boots: Trippy Or Trippin'?" "I don't think we should say 'trippin','" Orla had protested to Ingrid, before she hit Publish. "I think that's like a black thing? And we shouldn't appropriate it? It might seem racist?" Ingrid had overruled her. "You're the one being racist, trust me," she had said.
"So then you did a post about her boot style, with photos of all the boots she'd ever worn." Floss smeared the gloss off her mouth with her palm and wiped it on the back of a cream-colored chair cushion. "You called her a boot icon. A couple months later, the boot people named a style after her, which you covered, which made the boots sell out. So some fashion line invited her to curate—" here, Floss raised her fingers and made air quotes that punctured the air so forcefully, Orla winced on its behalf "—a whole line of boots for them. That got her to Fashion Week. She was supposed to sit in the second row, but her publicist brought sheets of paper with her name printed on them and stole the seats of front-row girls who didn't show up. That was smart. I liked that move."
Excerpted from Followers by Megan Angelo. Copyright © 2020 by Megan Angelo. Excerpted by permission of Graydon House. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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