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"Oh, he is around somewhere," Agnes said with a graceful wave of her hand. "I see your husband is missing, too. Mayhap we should send out lymer hounds to track them down."
Isabella began to squirm then, and Maria lowered her head to brush a kiss against that smooth little cheek. To some, it might have been a touching tableau of young motherhood; to Agnes, it was an intolerable reminder of all she'd lost-her crown and her children.
"I'd heard that you gave birth to a daughter. I hope you and Amalric were not too disappointed?"
Maria's head came up sharply. "I am young. God willing, we will be blessed with many sons in the years to come."
Agnes's smile faded. "May I see her?" she asked, poisonously polite, and before Maria could respond, she leaned over to study the child.
"Oh, my," she murmured, sounding surprised. "She does not look at all like Amalric, does she? Dark as a Saracen, she is." Her smile came back then, for as soon as she saw Maria's face, she knew she'd drawn blood. "But a sweet child, I am sure," she added dismissively, and turned away, sure that she'd gotten the last word.
Hours later, Maria was still seething. The words, innocuous in themselves, had been infused with such venom that they'd left her speechless, and thank God Almighty for that; if not, she might have caused a scene that the court would be talking about for years to come. It was not even the malicious insinuation about Isabella's paternity that had so enraged her, for that was too outrageous to be taken seriously. It was that Agnes saw Isabella-saw her daughter-as a legitimate target in this ugly vendetta of hers. She would come to regret it, to regret it dearly. Maria swore a silent, holy vow to make it so, but even that did not assuage her fury. She needed to give voice to her wrath, needed a sympathetic audience.
Amalric would not want to be dragged into what he'd see as a female feud; he preferred to deal with Agnes by ignoring her. And friendship was a luxury denied to those in power. Maria had been taught that the highborn dared not let down their guard. Servants could be bribed or threatened, handmaidens suborned, and spies were everywhere. But she was luckier than most queens, for she did have a friend, one whom she trusted implicitly.
It was language that had brought them together initially, for Master William was a linguist, fluent in four languages, one of which was Greek. Maria had been thankful to be able to converse with someone in her native tongue, and she'd been grateful, too, that William approved of her marriage, believing an alliance with the Greek empire to be in the best interests of his kingdom. He'd engaged a tutor to teach her French and began to instruct her in the intricacies of Outremer politics. Having grown up at the highly political royal court in Constantinople, Maria was fascinated by statecraft and power. When she'd tried to discuss such matters with Amalric, she'd been politely rebuffed, but William found her to be an apt pupil; as their friendship deepened, Maria no longer felt so utterly alone.
Such a relationship would have been frowned upon in Constantinople, where women led more segregated lives, with few opportunities to mingle with men not of their family. But William was a man of God, now the Archdeacon of Tyre, and that helped to dampen any hint of scandal. So, too, did Amalric's approval. He admired William greatly, commissioning him to write histories of their kingdom and their Saracen foes. Two years ago, he'd even entrusted his son, Baldwin, into William's keeping, making him responsible for the young prince's education. He had no problems with his queen spending time with William, provided that they were chaperoned.
While William and Baldwin were often in the coastal city of Tyre, they were back for the king's Easter court, with quarters here in the palace. So, when her inner turmoil did not abate, Maria knew what she must do. Summoning two of her ladies and her chief eunuch, Michael, she announced that she was going to visit Master William.
Excerpted from The Land Beyond the Sea by Sharon Kay Penman. Copyright © 2020 by Sharon Kay Penman. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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