Summary | Excerpt | Reviews | Beyond the Book | Readalikes | Genres & Themes | Author Bio
CHAPTER
ONE
My gown was beautiful. It was the kind of garment that looks precisely as expensive as it is. I did not hate it, because it was beautiful, and I did not love it, because it was cruel. I wore it because wearing it was the thing this night demanded of me.
I bought it six months before the Neufmann Banquet, and, miracle of miracles, it still fit me exactly as well as it had when I'd tried it on the first time. Everything had changed in those six months. Everything except for my body. That, at least, was the same.
Still, I nearly dislocated my shoulder trying to get the buttons on the damn thing done up. Fifteen minutes of trying not to swear, fifteen minutes to do something that would have taken ten seconds if someone else had been there to do it for me. But I did it on my own, in the end. The help would have been convenient, but I didn't need it.
Twice in my life, now, I have buried myself in finery. Twice I have arranged myself within a great complication of fabric to prove that I understand the importance of a moment. It's clothing as contrition, a performance of beauty I have put on to pay penance to the people gathered to acknowledge me. They are here to see me, and I must apologize for requesting their attention, must make up for the weight of my demand by ensuring that looking at me will be a pleasant thing. Never mind the suffocation of the outfit, never mind the expense, never mind the impracticality. The transaction must be made: my efforts at beauty in exchange for their regard. And so, twice in my life, I have worn the cost of that recognition.
The process of defeating the buttons distracted me, and so it was only after I had my shoes on that I realized I had no way to see whether I'd achieved enough loveliness to satisfy the demands of the occasion. I used a kitchen knife to cut the packing tape away from my full-length mirror, feeling at once foolish and resourceful. After I'd peeled the layers of protective plastic wrap from the glass, there I was.
I allowed myself a breath of satisfaction: it was enough.
The gown was black silk. The skirt fell perfectly, the darts at my waist making the fabric bell over my hips before draping into crisp pleats. I, inside the silk, was the same person I always was, but the gown was a costume that gave me the right to be notable. It justified the evening I was about to face.
I tilted my head to see that my earrings weren't too much, ran my fingers across the high bateau neckline.
The task was accomplished. The result was good.
By the time I turned away from the mirror, it was six o'clock. My car was due in four minutes. I turned the lights off in my house and walked into the gray light of early evening to wait.
My wedding gown had also been beautiful, and expensive. It had been nothing at all like my gown for the Neufmann Banquet. Satin instead of silk, and suffocatingly tight. It had been white, gently cut, with a low neckline trimmed in Alençon lace. It had been aggressively soft, determined to be hopeful.
It had been vulnerable, where my Neufmann gown was severe. It had been tender, where my Neufmann gown was pitiless.
On the day that I had worn the kinder of the two gowns, Nathan had snuck into the suite where I was dressing. He walked in with exaggerated stealth, his tuxedo shoes squeaking as he minced pizzicato across the waxed wood floor. He gave me a velvet box with a necklace in it. The pendant floated perfectly above the dip of the lace. He wasn't supposed to see me—he'd bought the necklace to give me after the ceremony, but he said he just couldn't wait. He'd wanted me to have it sooner.
He clasped it behind my neck and kissed my cheek and fled before I could scold him for breaking the rules. Before I could bring up the traditions that neither of us cared about, but that both of us had been so determined to follow. When I walked down the aisle, the sapphire of the pendant caught an errant sunbeam and refracted light across the arm of Nathan's father's suit.
Excerpted from The Echo Wife by Sarah Gailey. Copyright © 2021 by Sarah Gailey. Excerpted by permission of Tor Books. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
A classic is a book that has never finished saying what it has to say
Click Here to find out who said this, as well as discovering other famous literary quotes!
Your guide toexceptional books
BookBrowse seeks out and recommends the best in contemporary fiction and nonfiction—books that not only engage and entertain but also deepen our understanding of ourselves and the world around us.