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A deep breath, then another until it comes to him: the screw-driver, of course! The same tool he has just used on the bolts he now uses to unscrew the hardware until the doorknob drops into his hand and he stashes it in the pocket of his workman's tunic, which he strips off, rolls up, and tucks firmly into the back of his belt.
He slides the panel under his shirt, aged canvas abrading his skin as he buttons his jacket over it, his heart beating against the mysterious four- hundred- year- old beauty who has witnessed her own abduction more than once, observed countless assignations from the wall of Napoleon's bedroom, and endured the gapes and stares of millions, and now, tired and world- weary, she yearns to rest— but her story is far from over.
1
December 2019
Florence, Italy
Carlo Bianchi dabbed the handkerchief to his dripping nose. His shop, on the Via Stracciatella, not far from the Ponte Vecchio, was small and cramped, books in shelves, on his desk, scattered around the floor in stacks like miniature Mayan villages, everything covered in dust, the place reeking of mold and damp.Bianchi was looking for a book on rococo garden design, which he knew was here somewhere. He finally found it at the very bottom of a tall stack. Lying on his side, beard picking up lint, he was just inching the book out when he saw the man's thick- soled sneakers.
Bianchi twisted his neck for an angled view. "Posso aiutarla?"The man peered down at him. "Do you speak English?""Yes," said Bianchi, getting to his feet, slapping dust from his pants and jacket. "One learns many languages in a lifetime of dealing with books."
"I am looking for a diary, a journal that you recently purchased from a French book dealer named Pelletier."
"Pelletier? Let me think. I should have a list of recent purchases." Bianchi made a show of sorting through a mass of receipts on his desk. He knew every book he sold or purchased, including those to and from the French dealer, Pelletier, though he never gave out a customer's personal information.
"This journal was written over a hundred years ago," the man said. Pelletier had sworn he'd sold the journal to Bianchi, and people rarely told lies when they had just lost a finger and there was the threat of losing another. "Surely, you would remember buying such a book." He laid his hand over Bianchi's, then pressed it against the wooden desktop.
"Sì, sì, I remember," Bianchi said. "It was handwritten and in Italian!"
The man eased up, and Bianchi slid his hand out, backing away, practically bowing. "I am sorry...but...the journal... I have already sold it."
"To who?"
"To an old man who collects such things, no one important."
"His name?"
"I don't re— "
The man grabbed Bianchi by the front of his jacket and lifted him off the floor. "The name. Now."
Arms flapping, legs dangling a few inches above the floor, Bianchi gasped the name: "G- Guggliermo!"
The man let go, and Bianchi landed unsteadily, knocking over a tower of books.
"And where might I find this Guggliermo?""He...he is a"— Bianchi tried to catch his breath— "a professore, at the university— in Firenze— but, but I think he is retired." He stole a glance at the window to see if there was anyone outside, a passerby he might call for help, but the man shifted his body to obscure his view.
"His address."
"I– I am certain if you inquired at the university— "
The man gave him a dead- eyed stare, and Bianchi quickly thumbed through his Rolodex, fingers trembling. He found the card and began to read from it, but the man snatched it from his hand. "You did not read the journal, did you?"
"Me? No, no." Bianchi shook his head back and forth.
"And yet you knew it was handwritten and in Italian."
Excerpted from The Last Mona Lisa by Jonathan Santlofer. Copyright © 2021 by Jonathan Santlofer. Excerpted by permission of Sourcebooks Landmark. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
The moment we persuade a child, any child, to cross that threshold into a library, we've changed their lives ...
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