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A Novel
by Elif Shafak
Nicosia, the only divided capital in the world. It sounded almost a positive thing when described that way; something special about it, if not unique, a sense of defying gravity, like the single grain of sand moving skywards in an hourglass just upended. But, in reality, Nicosia was no exception, one more name added to the list of segregated places and separated communities, those consigned to history and those yet to come. At this moment, though, it stood as a peculiarity. The last divided city in Europe.
My home town.
There are many things that a border—even one as clear-cut and well guarded as this—cannot prevent from crossing. The Etesian wind, for instance, the softly named but surprisingly strong meltemi or meltem. The butterflies, grasshoppers and lizards. The snails, too, painfully slow though they are. Occasionally, a birthday balloon that escapes a child's grip drifts in the sky, strays into the other side—enemy territory.
Then, the birds. Blue herons, black-headed buntings, honey buzzards, yellow wagtails, willow warblers, masked shrikes and, my favourites, golden orioles. All the way from the northern hemisphere, migrating mostly during the night, darkness gathering at the tips of their wings and etching red circles around their eyes, they stop here midway in their long journey, before continuing to Africa. The island for them is a resting place, a lacuna in the tale, an in-between-ness.
There is a hill in Nicosia where birds of all plumages come to forage and feed. It is thick with overgrown brambles, stinging nettles and clumps of heather. In the midst of this dense vegetation is an old well with a pulley that creaks at the slightest tug and a metal bucket tied to a rope, frayed and algae-covered from disuse. Deep inside it is always pitch-black and freezing cold, even in the fierce midday sun beating down directly overhead. The well is a hungry mouth, awaiting its next meal. It eats up every ray of light, every trace of heat, holding each mote in its elongated stone throat.
If you ever find yourself in the area and if, led by curiosity or instinct, you lean over the edge and peer down, waiting for your eyes to adjust, you may catch a glint below, like the fleeting gleam from the scales of a fish before it disappears back into the water. Do not let that deceive you, though. There are no fish down there. No snakes. No scorpions. No spiders dangling from silken threads. The glint does not come from a living being, but from an antique pocket watch—eighteen-carat gold encased with mother of pearl, engraved with lines from a poem:
Arriving there is what you are destined for,
But do not hurry the journey at all…
And there on the back are two letters, or more precisely, the same letter written twice:
Y & Y
The well is thirty-four feet deep and four feet wide. It is constructed of gently curved ashlar stone descending in identical horizontal courses all the way down to the mute and musty waters below. Trapped at the bottom are two men. The owners of a popular tavern. Both of slender build and medium height with large, jutting ears which they used to joke about. Both born and bred on this island, and in their forties when they were kidnapped, beaten and murdered. They have been thrown into this shaft after being chained first to each other, then to a three-litre olive oil tin filled with concrete to ensure they will never surface again. The pocket watch that one of them wore on the day of their abduction has stopped at exactly eight minutes to midnight.
Time is a songbird, and just like any other songbird it can be taken captive. It can be held prisoner in a cage and for even longer than you might think possible. But time cannot be kept in check in perpetuity.
No captivity is forever.
Some day the water will rust away the metal and the chains will snap, and the concrete's rigid heart will soften as even the most rigid hearts tend to do with the passing of the years. Only then will the two corpses, finally free, swim towards the chink of sky overhead, shimmering in the refracted sunlight; they will ascend towards that blissful blue, at first slowly, then fast and frantic, like pearl divers gasping for air.
Excerpted from The Island of Missing Trees by Elif Shafak. Copyright © 2021 by Elif Shafak. Excerpted by permission of Bloomsbury USA. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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