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A novel
by Nadifa Mohamed
That smudge and a bad back are the only physical remnants of his sea life. He hasn't boarded a ship for near to three years; just foundry work and poky little boilers in prisons and hospitals. The sea still calls, though, just as loudly as the gulls surfing the sky above him, but there is Laura and the boys to anchor him here. Boys who look Somali despite their mother's Welsh blood, who cling to his legs calling "Daddy, Daddy, Daddy" and pull his head down, mussing up his pomaded hair for forceful kisses that leave his cheeks smelling of sherbet and milk.
The streets are quiet but the news of the King's death drifts from many of the low-slung wind-blown terraces he passes. Each wireless set relaying the broadcast discordantly, either a second ahead or delayed. Passing the shops on Bute Street, he finds a few lights still on: at Zussen's pawnbroker's where many of his clothes are on hock, at the Cypriot barbershop where he has his hair trimmed and at Volacki's where he used to buy seafaring kits but now just bags the occasional dress for Laura. The tall grand windows of Cory's Rest are steamed up, with figures laughing and dancing behind the leaded glass. He peeks his head through the door to check if some of his regulars are there, but the West Indian faces around the snooker table are unfamiliar. He had once belonged to this army of workers pulled in from all over the world, dredged in to replace the thousands of mariners lost in the war: dockers, tallymen, kickers, stevedores, winch men, hatch men, samplers, grain porters, timber porters, tackle men, yard masters, teamers, dock watchmen, needle men, ferrymen, shunters, pilots, tugboat men, foyboatmen, freshwater men, blacksmiths, jetty clerks, warehousemen, measurers, weighers, dredgermen, lumpers, launch men, lightermen, crane drivers, coal trimmers, and his own battalion, the stokers.
Mahmood turns away from the wreathed and porticoed splendour of Cory's Rest towards the docks, from where a red mist tints the raw, uncooked sky. He enjoys watching the nightly, industrial spectacle: the dirty seawater appearing to catch fire as vats of rippled, white-hot furnace slag from the East Moors Steelworks tip into the lapping evening tide. The railway on the foreshore bank clanking and screeching as carts shoot back and forth between the billowing steelwork chimneys and the angry, steaming sea. It's an eerie and bewitching sight that catches his breath every time; he half expects an island or volcano to spit out from that bubbling, hissing stretch of petrol-streaked water, but it always cools and returns to its morose, dark uniformity by morning.
The docks and Butetown cover only a square mile but for him and his neighbors it's a metropolis. Raised up from marshland the century before, a Scottish aristocrat built the docks and named the streets after his relatives. Mahmood had heard a rumour that the world's first million-pound cheque was signed at the Coal Exchange. Even now, in the morning, a different calibre of men come bowler-hatted to work at the Mercantile Marine Office or the Custom House. At both the Marine Office and Seaman's Union you know which door to use if you don't want trouble, and this goes for the labouring white men as well as black. Beyond the financial district, the neighbourhood is for everyone, all of them hemmed in and pushed close by the railway tracks and canals cutting them off from the rest of Cardiff. A maze of short bridges, canal locks and tramlines confuse the new visitor; just before his time, Somali sailors would wear the address of their lodging house on a board around their neck so that passers-by could help navigate them. The canals are a playground to young children and once, when two went missing, Mahmood had spent a blue, insomniac night searching the muddy water for any sight of them. They had been found in the morning—one white, one black, both drowned. But his boys are still too young to go wandering, alhamdulillah. One day, when they are older, he will show them around this port town with its Norwegian Church and kosher abattoir, its cranes, booms and smoking chimneys, its timber ponds, creosote works and cattle yards, its three broad thoroughfares—Bute Street, James Street, Stuart Street—crisscrossed with ever-narrowing terraces. The flags and funnels of the world's shipping fleets crowding the pierheads and sprawling across the dock basins.
Excerpted from The Fortune Men by Nadifa Mohamed. Copyright © 2021 by Nadifa Mohamed. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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