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A Novel
by Paul Murray
The smallness wouldn't have been so bad if the townsfolk had had a little more sophistication. But their only interest, besides farming and the well-being of the microchip factory, was Gaelic games. Football, hurling, camogie, the county, the Cup, the under-21s – that was all anyone ever talked about. Elaine hated GAA. She was bad at sports, in spite of her grace. She was always the last up the rope in gym class; in games, she confined herself to the sidelines, where she scowled, flicked her hair, and wafted reluctantly back and forth with the general direction of play, like a lovely frond at the bottom of a noisy, grunting ocean.
The Tidy Towns Committee, of which Cass's mother was a member, was always shiteing on about the natural beauty of the area, but Elaine did not accept this. Nature in her eyes was almost as bad as sports. The way it kept growing? The way things, like crops or whatever, would die and then next year they came back? Did no one else get how creepy that was?
I'm not being negative, she said. I just want to live somewhere I can get good coffee and not have to see nature and everyone doesn't look like they were made out of mashed potato.
Cass didn't care for GAA either, and she agreed about the general lack of je ne sais quoi. For her, though, the presence of Elaine was enough to cancel out the town's faults.
She had never felt so connected to someone. When they messaged each other at night – sometimes they'd stay up till two in the morning – they got so in synch it was almost like they were the same person. If Elaine texted Cass to say WTF was up with that jumper today, she would know immediately whose jumper she was talking about; a single, unexplained word, bagatelle or lickout, could make her laugh so loud that her dad would hear from across the landing and come in and tell her to go to sleep. In some ways, that was the best time of all – better even than being together. As she lay in bed, messages flying back and forth between them, Cass would feel like she was flying too, far above the town, in a pure space that belonged completely to her and her best friend.
Most days they went to Elaine's after school, but sometimes, for a change of scene, Elaine would want to come to Cass's instead. She liked to hang out in the kitchen talking to Imelda – that's what she called Cass's mother, 'Imelda', so casually and naturally that after a while Cass started doing it too. You are so working those jeggings, Imelda, she'd say. Oh, you think so? Cass's mam/'Imelda' would say, and she'd lean over with impossible willow-like grace to examine the back of her own thighs. I wasn't sure about the stripes. The stripes are what make it, Elaine would say conclusively, and Imelda would look happy.
Cass's mother was a famous beauty. She too had blonde hair and green eyes. It's so weird that she's your mam, Elaine said. Doesn't it make more sense that I should be her daughter?
Then we'd be sisters! Cass said.
No, I mean, instead of you, Elaine said.
Cass wasn't sure what to do with that. But the fact remained that Elaine got on better with her mother than she did. Imelda liked to give Elaine face creams to try out; they traded beauty secrets and product advice. Cass was a bystander in these conversations. Nothing works on her skin, Imelda said, because of the eczema. It's a real adversity, Elaine agreed.
Once, Imelda had taken the girls with her to Dublin for the pre-sales. The discounts hadn't been put on the price tags yet; only platinum customers knew about them. This secret elevation over the other shoppers had made Elaine visibly giddy; she watched Imelda stalk the clothes-rails, whipping pitilessly through the garments like an empress at the slave market, as if she could see the difference, like an aura around her, a platinum glow.
Cass did not totally get the Imelda-worship. In her view, Elaine was much prettier than her mother. Yeah, but your mam's got to be at least, like, thirty-four, Elaine said. I mean, she's really kept her looks.
Excerpted from The Bee Sting by Victoria Christopher Murray. Copyright © 2023 by Victoria Christopher Murray. Excerpted by permission of Farrar, Straus & Giroux. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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