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A Novel
by Kaveh AkbarTwo Years Later
Monday
Keady University, 6 Feb, 2017
"I would die for you," Cyrus said alone to his reflection in the little hospital mirror. He wasn't sure he meant it, but it felt good to say. For weeks, he had been playing at dying. Not in the Plath "I have done it again, one year in every ten" way. Cyrus was working as a medical actor at the Keady University Hospital. Twenty dollars an hour, fifteen hours a week, Cyrus pretended to be "of those who perish." He liked how the Quran put it that way, not "until you die" but "until you are of those who perish." Like an arrival into a new community, one that had been eagerly waiting for you. Cyrus would step into the fourth-floor hospital office and a secretary would hand him a notecard with a fake patient's name and identity on it beside a little cartoon face on the 0–10 pain scale where 0 was a smiling "No hurt at all" face, 4 was a straight-faced "Hurts a little more," and 10 was a sobbing "Hurts worst" face, a gruesome cartoon with an upside-down U for a mouth. Cyrus felt he'd found his calling.
Some days he was the one dying. Others, he was their family. That night Cyrus would be Sally Gutierrez, mother of three, and the face would be a 6, "Hurts even more." That's all the information he had before an anxious medical student in an ill-fitting white coat shuffled in and told Cyrus/Sally his daughter had been in a car accident, that the team had done all they could do but couldn't save her. Cyrus dialed his reaction up to a 6, just on the cusp of tears. He asked the medical student if he could see his daughter. He cursed, at one point screamed a little. When Cyrus left that evening, he grabbed a chocolate granola bar from the little wicker basket on the secretary's table.
The med students were often overeager to console him, like daytime talk-show hosts. Or they'd be repelled by the artifice of the situation and barely engage. They'd offer platitudes from a list they'd been made to memorize, tried to refer Cyrus to the hospital's counseling services. Eventually they would leave the exam room, and Cyrus would be left to evaluate their compassion by filling out a photocopied score sheet. A little camera on a tripod recorded each exchange for review.
Sometimes the medical student would ask Cyrus if he wanted to donate his beloved's organs. This was one of the conversations the school was training them for. The students' job was to persuade him. Cyrus was Buck Stapleton, assistant coach of the varsity football team, devout Catholic. Staid, a 2 on the pain scale: "Hurts a little bit." The little cartoon face still smiling even, though barely. His wife was in a coma, her brain showed no signs of activity. "She can still help people," the student said, awkwardly placing his hand on Cyrus's shoulder. "She can still save people's lives."
For Cyrus, the different characters were half the fun. He was Daisy VanBogaert, a diabetic accountant whose below-knee amputation had come too late. For her, they'd asked him to wear a hospital gown. He was a German immigrant, Franz Links, engineer, with terminal emphysema. He was Jenna Washington, and his Alzheimer's was accelerating unexpectedly quickly. An 8. "Hurts a whole lot."
The doctor who interviewed Cyrus for the job, an older white woman with severe lips and leaden eyes, told him she liked hiring people like him. When he raised an eyebrow, she quickly explained: "Non-actors, I mean. Actors tend to get a little"—she spun her hands in tight circles—"Marlon Brando about it. They can't help making it about themselves."
Cyrus had tried to get his roommate Zee in on the gig, but Zee'd blown off the interview. Zbigniew Ramadan Novak, Polish Egyptian—Zee for short. He said he'd slept through his alarm, but Cyrus suspected he was freaked out. Zee's discomfort with the job kept coming up. A month later, as Cyrus was leaving for the hospital, Zee watched him getting ready and shook his head.
Excerpted from Martyr! by Kaveh Akbar. Copyright © 2024 by Kaveh Akbar. Excerpted by permission of Knopf. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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