Excerpt from Soul of The Fire by Terry Goodkind, plus links to reviews, author biography & more

Chapter One

I wonder what's bothering the chickens," Richard said.

Kahlan nuzzled tighter against his shoulder. "Maybe your grandfather is pestering them now, too." When he didn't reply, she tilted her head back to squint up at him in the dim firelight. He was watching the door. "Or maybe they're grouchy because we kept them awake most of the night."

Richard grinned and kissed her forehead. The brief squawking on the other side of the door had ceased. No doubt the village children, still reveling in the wedding celebration, had been chasing the chickens from a favorite roost on the squat wall outside the spirit house. She told him as much.

Faint sounds of distant laughter, conversation, and singing drifted into their quiet sanctuary. The scent of the balsam sticks that were always burned in the spirit-house hearth mingled with the tang of sweat earned in passion, and the spicy-sweet aroma of roasted peppers and onions. Kahlan watched the firelight reflecting in his gray eyes a moment before lying back in his arms to sway gently to the sounds of the drums and the boldas.

Paddles scraped up and down ridges carved on the hollow, bell-shaped boldas produced an eerie, haunting melody that seeped through the solitude of the spirit house on its way out onto the grasslands, welcoming spirit ancestors to the celebration.

Richard stretched to the side and retrieved a round, flat piece of tava bread from the platter Zedd, his grandfather, had brought them. "It's still warm. Want some?"

"Bored with your new wife so soon, Lord Rahl?"

Richard's contented laugh brought a smile to her lips. "We really are married, aren't we? It wasn't just a dream, was it?"

Kahlan loved his laugh. So many times she had prayed to the good spirits that he would be able to laugh again -- that they both would.

"Just a dream come true," she murmured.

She urged him from the tava bread for a long kiss. His breathing quickened as he clutched her in his powerful arms. She slid her hands across the sweat-slick muscles of his broad shoulders to run her fingers through the thick tangle of his hair as she moaned against his mouth.

It had been here in the Mud People's spirit house, on a night that now seemed lifetimes ago, that she had first realized she was hopelessly in love with him, but had to keep her forbidden feelings secret. It was during that visit, after battle, struggle, and sacrifice, that they had been accepted into the community of these remote people. On another visit, it was here in the spirit house, after Richard accomplished the impossible and broke the spell of prohibition, that he had asked her to be his wife. And now they had at last spent their wedding night in the spirit house of the Mud People.

Though it had been for love and love alone, their wedding was also a formal joining of the Midlands and D'Hara. Had they been wedded in any of the great cities of the Midlands, the event undoubtedly would have been a pageant of unparalleled splendor. Kahlan was experienced in pageantry. These guileless people understood their sincerity and simple reasons for wanting to be married. She preferred the joyous wedding they had celebrated among people bonded to them in their hearts, over one of cold pageant.

Among the Mud People, who led hard lives on the plains of the wilds, such a celebration was a rare opportunity to gather in merriment, to feast, to dance, and to tell stories. Kahlan knew of no other instance of an outsider being accepted as Mud People, so such a wedding was unprecedented. She suspected it would become part of their lore, the story repeated in future gatherings by dancers dressed in elaborate grass-and-hide costumes, their faces painted with masks of black and white mud.

"I do believe you're plying an innocent girl with your magic touch," she teased, breathlessly. She was beginning to forget how weak and weary her legs were.

From Soul of the Fire (Goodkind, Terry. Sword of Truth, Bk. 5.), by Terry Goodkind. Copyright © April 13, 1999 , Terry Goodkind used by permission.