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Just as the man was about to step on the gas, the woman reached out and touched her arm. "You hurry up home, honey, it's about dark out here."
Before she could find out their names, the Chevrolet had disappeared around a corner. Ellie wished someone would magically appear and tell her everything that had happened since August. Then maybe she could figure out what was real and what she had been imagining for the past couple of days.
She walked past the main shopping district up to Tanner's, where Saraline was standing in the window peeling oranges. Everything in the shop was painted orange and green and Ellie couldn't help thinking that poor Saraline looked out of place. She stopped to wave to her friend, who pointed the knife to her watch and then to her boyfriend standing in the rear of the shop. Ellie nodded that she understood. She knew Sara wanted her to tell her grandfather that she had to work late again. Neither one of them could figure out why he didn't like Charlie. Saraline had finished high school three years ahead of her and it was time for her to be getting married. Ellie watched as her friend stopped peeling the orange long enough to cross her fingers. She nodded again but she was afraid all the crossed fingers in the world wouldn't stop the trouble tomorrow.
She stopped at the traffic light and spoke to a shriveled woman hunched against the side of a building. Scuffing the bottom of her sneakers on the curb she waited for the woman to open her mouth and grin as she usually did. The kids used to bait her to talk, and since she didn't have but one tooth in her whole head they called her Doughnut Puncher. But the woman was still, the way everything else had been all week.
From where Ellie stood, across the street from the Sears and Roebuck parking lot, she could see their house, all of the houses on the single street white people called Welfare Row. Those newspaper men always made her angry. All of their articles showed how rough the people were on their street. And the reporters never said her family wasn't on welfare, the papers always said the family lived on that street. She paused to look across the street at a group of kids pouncing on one rubber ball. There were always white kids around their neighborhood mixed up in the games, but playing with them was almost an unwritten rule. When everybody started going to school nobody played together anymore.
She crossed at the corner, ignoring the cars at the stoplight, and the closer she got to her street the more she realized that the newspaper was right. The houses were ugly, there were not even any trees, just patches of scraggly bushes and grasses. As she cut across the sticky asphalt pavement covered with cars she was conscious of the parking lot floodlights casting a strange glow on her street. She stared from habit at the house on the end of the block and except for the way the paint was peeling they all looked alike to her. Now at twilight the flaking gray paint had a luminous glow and as she walked down the dirt sidewalk she noticed Mr. Paul's pipe smoke added to the hazy atmosphere. Mr. Paul would be sitting in that same spot waiting until Saraline came home. Ellie slowed her pace to speak to the elderly man sitting on the porch.
"Evening, Mr. Paul," she said. Her voice sounded clear and out of place on the vacant street.
"Eh, who's that?" Mr. Paul leaned over the rail. "What you say, girl?"
"How are you?" she hollered louder. "Sara said she'd be late tonight, she has to work." She waited for the words to sink in.
His head had dropped and his eyes were facing his lap. She could see that he was disappointed. "Couldn't help it," he said finally. "Reckon they needed her again." Then as if he suddenly remembered he turned toward her.
"You people be ready down there? Still gonna let him go tomorrow?"
She looked at Mr. Paul between the missing rails on his porch, seeing how his rolled-up trousers seemed to fit exactly in the vacant banister space.
Excerpted from Neighbors and Other Stories by Lauren Oliver. Copyright © 2024 by Lauren Oliver. Excerpted by permission of Grove Press. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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