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Excerpt from Absolution by Jeff VanderMeer, plus links to reviews, author biography & more

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Absolution by Jeff VanderMeer

Absolution

Southern Reach, book 4

by Jeff VanderMeer
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  • Oct 22, 2024, 464 pages
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Finally, Battlebee made an exit by making an entrance. Sergeant Rocker, though, snapped and skittered sideways toward his well-wishers with such ferocious intent that the biologists fled again, even as one amongst them, Old Jim couldn't tell which, circled the beast while calling out what sounded like an absurd "Here, kitty, kitty!" That couldn't be right, could it? (The video ended there.)

"Hilarious," some prior analyst at Central had written as a note. But it wasn't hilarious. Both this moment and the drinking registered as disquieting, out of place with the discipline one would expect at the start of a scientific expedition. He also distrusted the amount of redaction surrounding the alligator experiment in the archives. It signified a growing level of circumspection, like peering through mist come up over black swamp water, even as he continued to glide forward, unable to see what lay to both sides.

But then, too, there was the assurance, the confidence, in the accounts of the biologists as remedy to allay suspicion. Because Sergeant Rocker, too, had then taken to the waters and disappeared, the biologists using their tracking equipment to make sure they could follow the alligators in their new lives.

The Tyrant kept to herself, while the others remained in close proximity, for a while. None, at least overnight, seemed inclined to leave the area, and by the fourth day, Team Leader 1 put the most junior member of their party on the task of monitoring moments that might include a full day of basking in the same stretch of mud.

On day six they found Firestorm's front leg, bobber wire wrapped around it, the whole prominently displayed on a mudbank with deep boot prints suggesting poachers. There was, one biologist wrote, "a bathetic or pathetic quality to the paleness of the leg, enraptured in the evidence of our experiment, lost so far from her home. I wept for an hour, but do not know if this was an appropriate response."

(No, Old Jim did not believe it was an appropriate response, even as he himself wept at odd hours, for his own reasons, down in Central's archives.)

Battlebee turned up dead and bloated and white, with a chunk ripped out of him postmortem by some creature, possibly Sergeant Rocker, speculation being that stress and the anesthetic had been too hard on him. Postmortem examination revealed stomach contents that included fish, a turtle, mud, and, inexplicably, a broken teacup.

She had also been pregnant, "a fact that surprised us," Team Leader 2 wrote, "given her credentials identified her as a male," amid some general confusion: "To be honest, I cannot now remember when we first took this project on, when we first encountered these subjects. The heat here is abysmal."

Sergeant Rocker opted out of the project by shedding his harness in the water near the tent of Team Leader 1, indicating, as she absurdly put it, "A politeness on the part of Sergeant Rocker in keeping with his personality when I knew him best. I felt this loss much more deeply than expected."

This sentimentality toward an alligator seen as an obligation just days before weighed on Old Jim, although he could not put a finger on why. Nor did he understand why the alligator experiment registered with the biologists in their reports as a great success, and they would even reference it with a kind of beautiful, all-consuming nostalgia when the mission began to sour. The myth of competence, perhaps. The myth of persistence. The myth of objectivity.

Perhaps, both he and the biologists would have been wiser to focus on how Sergeant Rocker had turned into an escape artist, for the harness was intact and still latched, with no tears anywhere. So how had the alligator possibly gotten free? Old Jim kept seeing the biologists by a trick of faulty video running away from the release site, only to re-form in their drinking circle.

He replayed the video so often that it became a disconcerting mess of light and shadow, of pixelated disembodied heads and legs and shapes that leapt out and sharpened, only to become subsumed into the past.

Excerpted from Absolution by Jeff VanderMeer. Copyright © 2024 by Jeff VanderMeer. Excerpted by permission of MCD. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

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