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Excerpt from Orbital by Samantha Harvey, plus links to reviews, author biography & more

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Orbital by Samantha Harvey

Orbital

by Samantha Harvey
  • Critics' Consensus (22):
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  • Dec 5, 2023, 193 pages
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Excerpt
Orbital by Samantha Harvey

Roman wakes early. He sloughs off his sleeping bag and swims in the dark to the lab window. Where are we, where are we? Where on earth. It's night and there's land. Into view edges a giant city nebula among reddish-rust-nothing; no, two cities, Johannesburg and Pretoria locked together like a binary star. Just beyond the hoop of the atmosphere is the sun, and in the next minute it will clear the horizon and flood the earth, and dawn will come and go in a matter of seconds before daylight is everywhere at once. Central and East Africa suddenly bright and hot.

Today is his four hundredth and thirty-fourth day in space, a tally arrived at over three different missions. He keeps close count. Of this mission it's day eighty-eight. In a single nine-month mission there are in total roughly five hundred and forty hours of morning exercise. Five hundred morning and afternoon meetings with the American, European and Russian crews on the ground. Four thousand three hundred and twenty sunrises, four thousand three hundred and twenty sunsets. Almost one hundred and eight million miles travelled. Thirty-six Tuesdays, for all that, this being one. Five hundred and forty times of having to swallow toothpaste. Thirty-six changes of T-shirt, a hundred and thirty-five changes of underwear (a fresh set of underwear every day is a storage luxury that can't be afforded), fifty-four clean pairs of socks. Auroras, hurricanes, storms – their numbers unknown but their occurrence certain. Nine full cycles, of course, of the moon, their silver companion moving placidly through its phases while the days go awry. But all the same the moon seen several times a day and sometimes in strange distortion.

To his tally kept on a piece of paper in his crew quarters, Roman will add the eighty-eighth line. Not to wish the time away but to try to tether it to something countable. Otherwise – otherwise the centre drifts. Space shreds time to pieces. They were told this in training: keep a tally each day when you wake, tell yourself this is the morning of a new day. Be clear with yourself on this matter. This is the morning of a new day.

And so it is, but in this new day they'll circle the earth sixteen times. They'll see sixteen sunrises and sixteen sunsets, sixteen days and sixteen nights. Roman clasps the handrail by the window to steady himself; the southern hemisphere stars are fleeting away. You're bound to Coordinated Universal Time, ground crews tell them. Be clear with yourself on this matter, always clear. Look often at your watch to anchor your mind, tell yourself when you wake up: this is the morning of a new day.

And so it is. But it's a day of five continents and of autumn and spring, glaciers and deserts, wildernesses and warzones. In their rotations around the earth in accumulations of light and dark in the baffling arithmetic of thrust and attitude and speed and sensors, the whip-crack of morning arrives every ninety minutes. They like these days when the brief bloom of daybreak outside coincides with their own.

In this last minute of darkness the moon is near-full and low to the glow of atmosphere. It's as if night has no idea it's about to be obliterated by day. Roman has a sense of himself a few months hence staring from his bedroom window at home, moving aside his wife's array of dried – and to him unnameable – flowers, forcing open the condensated and stiff casement, leaning into the Moscow air, and seeing it, the same moon, like a souvenir he's brought back from a holiday somewhere exotic. But it's just for a moment and then the sight of this moon from the space station – lying squashed and low beyond the atmosphere, not really above them but across, like an equal – is everything, and that brief comprehension he had of his bedroom, his home, is gone.

There was a lesson at school about the painting Las Meninas, when Shaun was fifteen. It was about how the painting disoriented its viewer and left them not knowing what it was they were looking at.

Excerpted from Orbital © 2023 by Samantha Harvey. Reprinted with the permission of the publisher, Grove Press, an imprint of Grove Atlantic, Inc. All rights reserved.

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