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He needed Astorre, indeed had prepared him for this moment. Astorre was the Don's favorite, even above his own children. As a child Astorre was always a leader, precocious in his sociability. He loved the Don, and he did not fear him as his own children sometimes did. And though Valerius and Marcantonio were twenty and eighteen years old, when Astorre was ten, he established his independence from them. Indeed when Valerius, somewhat of a military martinet, tried to chastise him, he fought back. Marcantonio was much more affectionate to him and bought him his first banjo to encourage his singing. Astorre accepted this as the courtesy of one adult to another.
The only one Astorre took orders from was Nicole. And though she was two years older, she treated him as a suitor, as he demanded even as a small boy. She made him run her errands and listened soulfully to the Italian ballads he sang her. And she slapped his face when he tried to kiss her. For even as a small boy, Astorre was enraptured by feminine beauty.
And Nicole was beautiful. She had large dark eyes and a sensual smile; her face revealed every emotion she felt. She challenged anyone who tried to insinuate that as a female she was not as important as any man in her world. She hated the fact that she was not as physically strong as her brothers and Astorre, that she could not assert her will by force but only by her beauty. All this made her absolutely fearless, and she taunted them all, even her father, despite his dread reputation.
After his wife's death, when the children were still young, Don Aprile made it a practice to spend one summer month in Sicily He loved the life in his native village, near the town of Montelepre, and he still owned property there, a house that had been the country retreat of a count, called Villa Grazia.
After a few years he hired a housekeeper, a Sicilian widow named Caterina. She was a very handsome woman, strong with a rich peasant beauty and a keen sense of how to run a property and command respect from the villagers. She became his mistress. All of this he kept secret from his family and friends, though now he was a man of forty and a king in his world.
Astorre Viola was only ten years old the first time he accompanied Don Raymonde Aprile to Sicily. The Don had been requested to mediate a great conflict between the Corleonisi cosca and the Clericuzio cosca. And it was also his pleasure to spend a quiet month of tranquillity at Villa Grazia.
Astorre, at ten, was affable-there was no other word. He was always cheerful, and his handsome round face with its olive skin radiated love. He continually sang in a sweet tenor voice. And when he was not singing, he offered lively conversation. Yet he had the fiery qualities of a born rebel, and he terrorized the other boys his age.
The Don brought him to Sicily because he was the best of company for a middle-aged man, which was a curious commentary on both, as well as a reflection on how the Don had brought up his own three children.
Once the Don settled his business affairs, he mediated the dispute and brought about temporary peace. Now he enjoyed his days reliving his childhood in his native village. He ate lemons, oranges, and olives from their briny barrels, and he took long walks with Astorre under the sullen deadly light of the Sicilian sun that reflected all the stone houses and countless rocks with a stunning heat. He told the small boy long-ago stories of the Robin Hoods of Sicily, their fights against the Moors, the French, the Spaniards, the pope himself. And tales of a local hero, the Great Don Zeno.
At night, together on the terrace of the Villa Grazia, they watched the azure sky of Sicily lit with a thousand shooting stars and the flashes of lightning hurling through the mountains just a short distance away. Astorre picked up the Sicilian dialect immediately and ate the black olives from the barrel as if they were bits of candy.
Excerpted from Omerta by Mario Puzo Copyright© 2000 by Mario Puzo. Excerpted by permission of Random House, a division of Random House, Inc. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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