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The Don understood that the glory of America was the emergence of great families, and that the best social class sprang from men who had at first committed great crimes against that society. It was such men who in the search for fortune had also built America and left evil deeds to crumble into forgotten dust. How else could it be done? Leave the Great Plains of America to those Indians who could not conceive of a three-story dwelling? Leave California to Mexicans who had no technical ability, no vision of great aqueducts to feed water to lands that would allow millions to enjoy a prosperous life? America had the genius to attract millions of laboring poor from all over the world, to entice them to the necessary hard work of building the railroads, the dams, and the sky-scratching buildings. Ah, the Statue of Liberty had been a stroke of promotional genius. And had it not turned out for the best? Certainly there had been tragedies, but that was part of life. Was not America the greatest cornucopia the world had ever known? Was not a measure of injustice a small price to pay? It has always been the case that individuals must sacrifice to further the advance of civilization and his particular society.
But there is another definition of a great man. Primarily that he does not accept that burden. In some way, criminal, immoral, or by sheer cunning, he will ride the crest of that wave of human progress without sacrifice.
Don Raymonde Aprile was such a man. He generated his own individual power by his intelligence and by his complete lack of mercy He generated fear, he became a legend. But his children, when they were grown, never believed in the most atrocious stories.
There was the legend of the beginning of his rule as Family chief. The Don controlled a construction company run by a subordinate, Tommy Liotti, whom the Don had made rich at an early age with city building contracts. The man was handsome, witty, a thorough charmer, and the Don always enjoyed his company He had only one fault: He drank to excess.
Tommy married the Don's wife's best friend, Liza, an oldfashioned handsome woman with a sharp tongue, who felt it her duty to curb her husband's, obvious pleasure with himself. This led to some unfortunate incidents. He accepted her barbs well enough when he was sober, but when drunk he would slap her face hard enough to make her bite her tongue.
It was also unfortunate that the husband had a massive strength due to working hard and long on construction sites during his youth. Indeed, he always wore short-sleeved shirts to display his magnificent forearms and his great biceps.
Sadly, the incidents escalated over a period of two years. One night Tommy broke Liza's nose and knocked out a few teeth, which required expensive surgical repair. The woman did not dare ask Don Aprile's wife for protection, since such a request would probably make her a widow, and she still loved her husband.
It was not Don Aprile's desire to interfere in the domestic squabbles of his underlings. Such things could never be solved. If the husband had killed the wife, he would not have been concerned. But the beatings posed a danger to his business relationship. An enraged wife could make certain testimonies, give damaging information. For the husband kept large quanti ties of cash in his house for those incidental bribes so necessary to the fulfillment of city contracts.
So Don Aprile summoned the husband. With the utmost courtesy, he made it plain he interfered in the man's personal life only because it affected business. He advised the man to kill his wife outright or divorce her or never to ill-treat her further. The husband assured him it would never happen again. But the Don was mistrustful. He had noticed that certain gleam in the man's eyes, the gleam of free will. He considered this one of the great mysteries of life, that a man will do what he feels like doing with no regard to the cost. Great men have allied themselves with the angels at a terrible price to themselves. Evil men indulge their slightest whim for small satisfactions while accepting the fate of burning in hell.
Excerpted from Omerta by Mario Puzo Copyright© 2000 by Mario Puzo. Excerpted by permission of Random House, a division of Random House, Inc. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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