Excerpt from The Devil's Code by John Sandford, plus links to reviews, author biography & more

The two men cut across a lawn as dry as shredded wheat and stepped up on the concrete slab that served as a porch. The taller of the two touched the pistol that hung from his shoulder holster. He tried the front door: locked.

He looked at the shorter man, who shrugged, leaned forward, and pushed the doorbell.

John James Morrison was the same age as the men outside his door, but thinner, taller, without the easy coordination; a gawky, bespectacled Ichabod Crane with a fine white smile and a strange ability to draw affection from women. He lived on cinnamon-flavored candies called Hot Tamales and Diet Coke, with pepperoni pizza for protein. He sometimes shook with the rush of sugar and caffeine, and he liked it.

The men outside his door stressed exercise and drug therapy, mixed Creatine with androstenedione and Vitamins E, C, B, and A. The closest Morrison got to exercise was a habitual one-footed twirl in his thousand-dollar Herman Miller Aeron office chair, which he took with him on his cross-country consulting trips.

Morrison and the chair rolled through a shambles of perforated wide-carriage printer paper and Diet Coke cans in the smaller of the rambler's two bedrooms. A rancid, three-day-old Domino's box, stinking of pepperoni and soured cheese, was jammed into an overflowing trash can next to the desk. He'd do something about the trash later. Right now, he didn't have the time.

Morrison peered into the flat blue-white glow of the computer screen, struggling with the numbers, checking and rechecking code. An Optimus transportable stereo sat on the floor in the corner, with a stack of CDs on top of the right speaker. Morrison pushed himself out of his chair and bent over the CDs, looked for something he wouldn't have to think about. He came up with a Harry Connick Jr. disk, and dropped it in the changer. Love Is Here to Stay burbled from the speakers and Morrison took a turn around in the chair. Did a little dance step. Maybe another hit of caffeine . . .

The doorbell rang.

Eleven o'clock at night, and Morrison had no good friends in Dallas, nobody to come calling late. He took another two steps, to the office door, and looked sideways across the front room, through a crack in the front drapes. He could see the front porch. One or two men, their bulk visible in the lamplight. He couldn't see their faces, but he recognized the bulk.

"Oh, shit." He stepped back into the office, clicked on a computer file, and dragged it to a box labeled Shredder. He clicked Shred, waited until the confirmation box came up, clicked Yes, I'm sure. The shredder was set to the highest level: if the file was completely shredded, it couldn't be recovered. But that would take time . . .

He had to make some. He killed the monitors, but let the computer run. He picked up his laptop, turned off the lights in the office, and pulled the door most of the way closed, leaving a crack of an inch or two so they could see the room was dark. Maybe they wouldn't go in right away, and the shredder would have more time to grind. The laptop he carried into the kitchen, turning it on as he walked. He propped it open on the kitchen counter, and pulled a stool in front of it.

The doorbell rang again and he hurried out the door and called, "Just a minute." He looked back in the computer room, just a glance, and could see the light blinking on the hard drive. He was shredding only one gigabyte of the twenty that he had. Still, it would take time . . .

He was out of it. The man outside was pounding on the door.

He headed back through the house, snapped on the living room overhead lights to let them know he was coming, looked out through the drapes-another ten seconds gone-and unlocked the front door. "Had to get my pants on," he said to the two men on the stoop. "What's up?"

Reprinted from The Devil's Code by John Sandford by permission of G. P. Putnam's Sons, a member of Penguin Putnam Inc. Copyright (c) 2000 John Sandford. All rights reserved. This excerpt, or any parts thereof, may not be reproduced in any form without permission.