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"We thought about marriage," she said. "How can you not when you live together for four years? But you know what? Over time, passion wanes, differences don't. One day he told me he'd put in for a transfer to New York and it had come through." Ruth recalled to herself how surprised she had been, and how she complained to Paul about his not telling her sooner. "Of course, I can work almost anywhere," she had told him, annoyed yet excited at the prospect of moving to Manhattan, "but it's a jolt to uproot, not to mention leave my mother behind, and relocate in a city where I don't have any contacts. Why'd you tell me at the last minute?" She had meant that rhetorically. Then came Paul's awkward silence.
"I didn't ask to go, he didn't ask me to come," she told Art simply. She avoided eye contact. "It was a civil way to break up. We both agreed it was time to move on, only separately. He was decent enough to try to put the blame on himself. Said he was immature, whereas I was more responsible." She gave Art a goofy grin, as if this were the most ironic thing anyone could have said about her. "The worst part was, he was so nice about it-like he was embarrassed to have to do this to me. And naturally, I spent the last year trying to analyze what it was about us, about me, that didn't work. I went over just about every argument that we'd had. I had said he was careless, he said I made simple problems have difficult solutions. I said he never planned, he said I obsessed to the point of killing all spontaneity. I thought he was selfish, he said I worried over him to the point of suffocation, then pitied myself when he didn't fall all over himself saying thank you. And maybe we were both right and that was why we were wrong for each other."
Art touched her hand. "Well, I think he lost a terrific woman."
She was flooded with self-consciousness and gratitude.
"You are. You're terrific. You're honest and funny. Smart, interested."
"Don't forget responsible."
"What's wrong with being responsible? I wish more people were. And you know what else? You're willing to be vulnerable. I think that's endearing."
"Aw, shucks."
"Seriously."
"Well, that's sweet of you to say. I'll buy you coffee next time." She laughed and put her hand over his. "How about you? Tell me about your love life and all your past disasters. Who's your current partner?"
"I don't have one right now. Half the time I live alone, the other half I'm picking up toys and making jelly sandwiches for my two daughters."
This was a surprise. "You adopted them?"
He looked puzzled. "They're mine. And my ex-wife's, of course."
Ex-wife? That made three gay men she knew who had once been married. "So how long were you married before you came out?"
"Came out?" He made a screwy face. "Wait a minute. Do you think I'm gay?"
In an instant, she knew her mistake. "Of course not!" she scrambled to say. "I meant when you came out from New York."
He was laughing convulsively. "This whole time you thought I was gay?"
Ruth flushed. What had she said! "It was the ring," she admitted, and pointed to his gold band. "Most of the gay couples I know wear rings on that hand."
He slipped off the ring and rotated it in the light. "My best friend made it for my wedding," Art said solemnly. "Ernesto, a rare spirit. He was a poet and a goldsmith by avocation, made his living as a limo driver. See these indentations? He told me they were to remind me that there are a lot of bumps in life and that I should remember what lies between them. Love, friendship, hope. I stopped wearing it when Miriam and I split up. Then Ernesto died, brain cancer. I decided to wear the ring to remind me of him, what he said. He was a good friend-but not a lover."
Reprinted from The Bonesetter's Daughter by Amy Tan by permission of G. P. Putnam's Sons, a member of Penguin Putnam Inc. Copyright (c) 2001 by Amy Tan. All rights reserved. This excerpt, or any parts thereof, may not be reproduced in any form without permission.
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