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Excerpt
The Whitechapel Conspiracy
The courtroom at the Old Bailey was crowded. Every seat was taken and the ushers were turning people back at the doors. It was April 18, 1892, the Monday after Easter, and the opening of the London Season. It was also the third day in the trial of distinguished soldier John Adinett for the murder of Martin Fetters, traveler and antiquarian. The witness on the stand was Thomas Pitt, superintendent of the Bow Street police station.
From the floor of the court, Ardal Juster for the prosecution stood facing him.
"Let us start at the beginning, Mr. Pitt." Juster was a dark man of perhaps forty, tall and slender with an unusual cast of feature. He was handsome in some lights, in others a trifle feline, and there was an unusual grace in the way he moved.
He looked up at the stand. "Just why were you at Great Coram Street? Who called you?"
Pitt straightened up a little. He was also a good height, but he resembled Juster in no other way. His hair was too long, his pockets bulged, and his tie was crooked. He had testified in court since his days as a constable twenty years before, but it was never an experience he enjoyed. He was conscious that at the very least a man's reputation was at stake, possibly his liberty. In this case it was his life. He was not afraid to meet Adinett's cold, level stare from the dock. He would speak only the truth. The consequences were not within his control. He had told himself that before he climbed the short flight of steps to the stand, but it had been of no comfort.
The silence had grown heavy. There was no rustling in the seats. No one coughed.
"Dr. Ibbs sent for me," he replied to Juster. "He was not satisfied with all the circumstances surrounding Mr. Fetters's death. He had worked with me before on other matters, and he trusted me to be discreet should he be mistaken."
"I see. Would you tell us what happened after you received Dr. Ibbs's call?"
John Adinett sat motionless in the dock. He was a lean man, but strongly built, and his face was stamped with the confidence of both ability and privilege. The courtroom held men who both liked and admired him. They sat in stunned disbelief that he should be charged with such a crime. It had to be a mistake. Any moment the defense would move for a dismissal and the profoundest apologies would be offered.
Pitt took a deep breath.
"I went immediately to Mr. Fetters's house in Great Coram Street," he began. "It was just after five in the afternoon. Dr. Ibbs was waiting for me in the hall and we went upstairs to the library, where the body of Mr. Fetters had been found." As he spoke the scene came back to his mind so sharply he could have been climbing the sunlit stairs again and walking along the landing with its huge Chinese pot full of decorative bamboo, past the paintings of birds and flowers, the four ornate wooden doors with carved surrounds, and into the library. The late-afternoon light had poured in through the tall windows, splashing the Turkey rug with scarlet, picking out the gold lettering on the backs of the books that lined the shelves, and finding the worn surfaces of the big leather chairs.
Juster was about to prompt him again.
"The body of a man was lying in the far corner," Pitt continued.
"From the doorway his head and shoulders were hidden by one of the large leather armchairs, although Dr. Ibbs told me it had been moved a little to enable the butler to reach the body in the hope that some assistance could be given--"
Reginald Gleave for the defense rose to his feet. "My lord, surely Mr. Pitt knows better than to give evidence as to something he cannot know for himself? Did he see the chair moved?"
The judge looked weary. This was going to be a fiercely contested trial, as he was already uncomfortably aware. No point, however trivial, was going to be allowed past.
Excerpted from The Whitechapel Conspiracyby Anne Perry. © January 2001. Excerpted by permission of Balantine Books, a division of Random House, Inc. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher
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