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Excerpt from P Is For Peril by Sue Grafton, plus links to reviews, author biography & more

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P Is For Peril by Sue Grafton

P Is For Peril

by Sue Grafton
  • Critics' Consensus (3):
  • Readers' Rating (13):
  • First Published:
  • Jun 1, 2001, 304 pages
  • Paperback:
  • Jun 2002, 384 pages
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Print Excerpt


I noticed that over the course of nine weeks, the character of the coverage had shifted from the first seventy-two hours of puzzlement, through days of feverish speculation, and into the holding pattern that represented the current state of the investigation. Nothing new had come to light--not that there was ever much to report. In the absence of fresh revelations, the public's fascination had begun to dwindle and the media's attention to the matter had become as chilly and abbreviated as the brief November days. It is a truth of human nature that we can ponder life's mysteries for only so long before we lose interest and move on to something else. Dr. Purcell had been gone since Friday, September 12, and the lengthy column inches initially devoted to his disappearance were now reduced to an occasional mention nearly ritual in its tone. The details were recounted, but the curiosity had shifted to more compelling events.

Dr. Purcell, sixty-nine years old, had practiced family medicine in Santa Teresa since 1944, specializing in geriatrics for the last fifteen years. He'd retired in 1981. Six months later, he'd been licensed as the administrator of a nursing care facility called Pacific Meadows, which was owned by two businessmen. On the Friday night in question, he'd worked late, remaining in his office to review paperwork related to the operation of the nursing home. According to witnesses, it was close to nine o'clock when he stopped at the front desk and said good-night to the nurses on duty. At that hour, the occupants had settled down for the night. The corridors were empty and the residents' doors were closed against the already dimmed hall lights. Dr. Purcell had paused to chat with an elderly woman sitting in the lobby in her wheelchair. After a cursory conversation, less than a minute by her report, the doctor passed through the front door and into the night. He retrieved his car from his reserved space at the north side of the complex, pulled out of the lot, and drove off into the Inky Void from which he'd never emerged. The Santa Teresa Police and the Santa Teresa County Sheriff's Departments had devoted endless hours to the case, and I couldn't think what avenues remained that hadn't already been explored by local law enforcement.

I rang the bell again. Fiona Purcell had told me she was on her way out of town, a five-day trip to San Francisco to purchase furniture and antiques for a client of her interior design firm. According to the papers, Fiona and the doctor had been divorced for years. Idly, I was wondering why she'd been the one who called me instead of his current wife, Crystal.

I saw a face appear in one of the two glass panels that flanked the entrance. When she opened the door, I saw that she was already dressed for travel in a double-breasted pin-striped suit with wide lapels. She held a hand out. "Ms. Millhone? Fiona Purcell. Sorry to make you wait. I was at the back of the house. Please come in."

"Thanks. You can call me Kinsey if you like. Nice meeting you," I said.

We shook hands and I moved into the entrance hall. Her handshake was limp, always startling in someone who, otherwise, seems brisk and businesslike. I placed her in her late sixties, close to Dr. Purcell's age. Her hair was dyed a dark brown, parted on one side, with puffy bangs and clusters of artificially constructed curls pulled away from her face and secured by rhinestone combs, a style affected by glamour-girl movie stars of the 1940s. I half-expected an appearance by John Agar or Fred MacMurray, some poor, feckless male who'd fallen prey to this vixen with her fierce shoulder pads. She was saying, "We can talk in the living room. You'll have to pardon the mess."

Scaffolding had been erected in the foyer, reaching to the lofty ceiling. Drop cloths lined the stairs and the wide corridor leading to the rear of the house. To one side of the stairs, there was a console table and a streamlined chrome lamp. Currently, we seemed to be the only two on the premises.

From P Is for Peril, by Sue Grafton. June 4, 2001, Putnam Pub Group used by permission.

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