Excerpt from Blue Diary by Alice Hoffman, plus links to reviews, author biography & more

Outside the window, the last milky petals from Mrs. Gage's cherry tree are aloft in the air, weaving through the blue light, settling on rooftops and lawns. Jorie has gone into the kitchen to fill a thermos with lemonade to ensure that Ethan will have a cool drink to enjoy later in the day, when the sun is high and the heat is all but unbearable as he carts old cabinets out of the Howards' kitchen. Jorie smiles at what is already becoming a memory of how impulsive they've been today. She is the sort of woman who doesn't need to tell her most private business, not even to her best friend. She has never been tempted to admit to Charlotte that she always thinks of lilies when she and Ethan are in bed. Sometimes, at the height of their passion, she opens her eyes and is amazed to find white sheets and walls rather than the vivid fields she's imagined, brilliant with orange and yellow, as if sunlight itself had been caught behind her eyes.

Someone once told Jorie that plants you least expected were members of the lily family, asparagus, for instance, and onions, both of which she plans to add to her garden, a large patch of earth in the backyard. Jorie doesn't like to boast, but her garden is perhaps the best in town, yielding bushels of beans every year, and fire-red tomatoes, and such generous amounts of blueberries that Jorie often grants her neighbors free rein to pick as much as they'd like for jams and jellies and pies.

Jorie is thinking about her garden, how pretty asparagus plants will be against the fence, how faithful onions are once they take hold, when she hears someone at the front door. Right away she thinks something's odd. It must be a stranger come to call, because everyone knows the Fords always use the kitchen door, which opens to the driveway and the garden. The postman, Bill Shannon, brings their mail around the back, and even Kat Willams, Collie's friend from down the block, knows not use the front entrance.

I'll get it, baby, Ethan says. He's come into the kitchen, to grab his key ring, stopping only to reach into the cookie jar for some petty cash he'll use to buy lunch at Hannah's later in the day. He looks happy as he heads for the hall. Jorie hears him open the door, and then she hears nothing. The silence is unnatural. It's as if Jorie has been thrown headfirst into the cold embrace of the sea and water fills her ears. Rattled, she drops the coffee cup she was about to refill, but she doesn't hear it break on the hardwood floor. She just leaves it there, in pieces, and hurries down the hall. She's moving through water, drowning in green waves. There are some people who insist that every time one door closes, another door opens, but this isn't always the case. There are doors that are meant to stay closed, ones that lead to rooms filled with serpents, rooms of regret, rooms that will blind you if you dare to raise your eye to the keyhole in all innocence, simply to see what's inside.

Jorie takes note of the way he's standing at their own front door, her husband, Ethan, whom she loves more than anything in this world. He's so rigid, anyone would think he's been shot. She glimpses the other men who have gathered on the porch, and as she recognizes them, local men one and all, she wants time to stop, then and there. She is reminded of another summer's day, when she wasn't more than eight years old; it was a hazy afternoon, and she'd climbed one of the apple trees in the orchard that was then behind her mother's house, acres of Baldwins and McIntoshes and delectable Empires, known for their delicate pink blossoms. She looked up at the sky, mesmerized by the thick, lazy white clouds, and for a minute she truly believed she could reach up and take all that she saw into her arms. She had wanted heaven for herself; she was greedy and hopeful in equal measure, convinced she could have anything her heart desired, if only she'd grab for it.

Reprinted from Blue Diary by Alice Hoffman by permission of G.P. Putnam’s Sons, a member of Penguin Putnam Inc. Copyright © 2001 by Alice Hoffman. All rights reserved. This excerpt, or any parts thereof, may not be reproduced in any form without permission.