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A Memoir
by Frank McCourt
I have The Lives of the English Poets, Mr. Costello.
You may have The Lives of the English Poets under your oxter, young
fellow, but you don't have them in your head so go home and read.
It's Thursday and I have nothing to do till the job starts on Monday. For
lack of a chair I sit up in the bed in my furnished room and read till Mrs.
Austin knocks on my door at eleven and tells me she's not a millionaire and it's
house policy that lights be turned off at eleven to keep down her electricity
bill. I turn off the light and lie on the bed listening to New York, people
talking and laughing, and I wonder if I'll ever be part of the city, out there
talking and laughing.
There's another knock at the door and this young man with red hair and an
Irish accent tells me his name is Tom Clifford and would I like a fast beer
because he works in an East Side building and he has to be there in an hour. No,
he won't go to an Irish bar. He wants nothing to do with the Irish so we walk to
the Rhinelander on Eighty-sixth Street where Tom tells me how he was born in
America but was taken to Cork and got out as fast as he could by joining the
American army for three good years in Germany when you could get laid ten times
over for a carton of cigarettes or a pound of coffee. There's a dance floor and
a band in the back of the Rhinelander and Tom asks a girl from one of the tables
to dance. He tells me, Come on. Ask her friend to dance.
But I don't know how to dance and I don't know how to ask a girl to dance. I
know nothing about girls. How could I after growing up in Limerick? Tom asks the
other girl to dance with me and she leads me out on the floor. I don't know what
to do. Tom is stepping and twirling and I don't know whether to go backward or
forward with this girl in my arms. She tells me I'm stepping on her shoes and
when I tell her I'm sorry she says, Oh, forget it. I don't feel like clumping
around. She goes back to her table and I follow her with my face on fire. I
don't know whether to sit at her table or go back to the bar till she says, You
left your beer on the bar. I'm glad I have an excuse to leave her because I
wouldn't know what to say if I sat. I'm sure she wouldn't be interested if I
told her I spent hours reading Johnson's Lives of the English Poets or if
I told her how excited I was at the Forty-second Street Library. I might have to
find a book in the library on how to talk to girls or I might have to ask Tom
who dances and laughs and has no trouble with the talk. He comes back to the bar
and says he's going to call in sick which means he's not going to work. The girl
likes him and says she'll let him take her home. He whispers to me he might get
laid which means he might go to bed with her. The only problem is the other
girl. He calls her my girl. Go ahead, he says. Ask her if you can take her home.
Let's sit at their table and you can ask her.
The beer is working on me and I'm feeling braver and I don't feel shy about
sitting at the girls' table and telling them about Tim Costello and Dr. Samuel
Johnson. Tom nudges me and whispers, For Christ's sake, stop the Samuel Johnson
stuff, ask her home. When I look at her I see two and I wonder which I should
ask home but if I look between the two I see one and that's the one I ask.
Home? she says. You kiddin' me. That's a laugh. I'm a secretary, a private
secretary, and you don't even have a high school diploma. I mean, did you look
in the mirror lately? She laughs and my face is on fire again. Tom takes a long
drink of beer and I know I'm useless with these girls so I leave and walk down
Third Avenue taking the odd look at my reflection in shop windows and giving up
hope.
Copyright © 1999 by Frank McCourt
If there is anything more dangerous to the life of the mind than having no independent commitment to ideas...
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