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This article relates to Lovely, Dark and Deep
Amy McNamara is a Midwesterner who moved to Brooklyn where she lives with her husband, the artist Doug McNamara, and their two children.
She has an MFA in Poetry and was published first as a poet, but was a writer of prose before all of that. At eight she wrote her first story about a cricket hanging onto the hood ornament of her father's car for dear life. (So she seems to have a penchant for highly emotional topics!) She wrote prose until her mid-twenties and then turned to poetry, but always read novels and short stories. When it was time to write Lovely, Dark and Deep it just came out as a novel, and so she let it be what it needed to be.
Poetry and prose both come from the same place for McNamara - an image. From there she builds her poem or her story. And the processes are very similar. She reads as much as she can, puts down a rough draft, and then rewrites and revises using the tools a writer of any genre would use. But her poetry definitely influences her prose. This is clear from the very first words of her novel: "Be careful what you wish for. I had things I didn't want, and then I lost them. One minute I was breaking up with my boyfriend, Patrick, the next I was the only one left standing. Empty-handed. A ghost of who I'd been. Broken in a way you can't see when you meet me."
McNamara speaks, too, of the way her poetry experience seeps into her prose: "I am much more aware of syntax and music within the line or sentencehow the sounds of words influence what we understand, how we feel. I read it aloud, listen to how it plays in that reader's voice, the internal one speaking when we read. I'm pretty sure I drove the copyeditors at Simon & Schuster crazy by using commas as rhythm instruments rather than in any clear or consistent grammatical sense. I think I was trying to sneak line breaks into my prose via comma."
About Lovely, Dark and Deep, McNamara writes: "I woke up with the first scene of Lovely, Dark and Deep in my head. Wren was there, her voice clear and ready to lead me through her story. I am so grateful for that! I think she showed up because after the loss of a friend I was having trouble focusing on reading or writing. By following Wren into her woods, I was led out of my own."
When asked how she balances her writing with the rest of her life (always the $1,000,000 question!) she says she is not so good at it. About how she wrote Lovely, Dark and Deep, she says: "I wrote all day long, took a break for dinner, and went back to it until late - I wish I could write in a more balanced way, but after working this way for so long I have to accept that this is how it is for me."
McNamara has a BA in French Studies and is also a photographer. Her poems have been published in many journals and have been nominated for a Pushcart Prize. Her manuscript of poetry, titled The New Head Chronometrist has been a finalist for many book awards.
I will leave you with McNamara's advice to teens, which I believe is amazing advice for everyone: "Open your eyes wide and your heart wider. Err on the side of being generous, truly generous, expecting nothing in return. You'll never regret it. Control is overrated; the most interesting bits take you by surprise and show up in the overlooked places."
Picture from author website.
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This "beyond the book article" relates to Lovely, Dark and Deep. It originally ran in January 2013 and has been updated for the November 2013 paperback edition. Go to magazine.
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