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Literary Fiction
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| Readers: |
From Gillian Flynn Books, a lyrical young adult horror by debut author Wen-yi Lee that's perfect for fans of She Is a Haunting, Stephen King's IT, and The Haunting of Hill House.
Growing up in Slater, Isadora Chang never felt at ease in the repressive small town, even before she realized she was bisexual―but after the deaths of two childhood friends, Slater went from feeling claustrophobic to suffocating. So, Isa took off before the town could swallow her, too. Even though it meant leaving everything she knew behind, including her last surviving friend, Mason.
When Isa's abusive father dies, however, she agrees to come back from art school just long enough to collect the inheritance. But then Mason turns up at the cemetery with a revelation and a plea: their friends were murdered by an evil that haunts the town, and he needs Isa to help stop it―before it takes anyone else.
When Isa begins to hear strange songs on the wind, and eerie artwork fills her sketchbook that she can't recall drawing, she's forced to stop running and confront her past. Because something is waiting in the shadows of Slater's valleys, something that feeds on the pain and heartbreak of its children. Whatever it is, it knows Isa's back ... and it won't let her escape again.
Wen-yi Lee's young adult debut is an intimate and gripping exploration of trauma, healing, and the lasting power of friendship, as a runaway teen must finally face the sinister forces that defined her childhood, and in doing so, demand her right to survive.
"This debut transcends the supernatural mystery genre with its emotional depth and engaging setting. As a contemplative alternative to action-focused horror, its striking explorations of grief, shame, love, and queerness will haunt readers with how true they ring ... A powerful, introspective gothic tale filled to the brim with horror." ―Kirkus Reviews (starred review)
"In this enthralling horror debut, Lee carefully threads together Isa's reconnecting with her past, unearthing the secrets that Slater is built on, and navigating the way that shame distorts one's sense of self." ―Publishers Weekly (starred review)
"Readers will find thrills, chills, and emotional validation from this unexpectedly almost-heartwarming horror novel." ―Booklist (starred review)
"The Dark We Know aptly captures the way small towns can feel like a trap, especially for a queer person of color amongst a white, heteronormative population, and how the ties of trauma still bind us no matter how far we try to run. Lee writes with incredible emotional depth to tell a story that will grab at your heart and leave ghostly fingerprints in its wake." ―Reactor
"The true hallmark of an exceptional horror novel is in its hold, and in her debut outing, Wen-yi Lee has crafted a gorgeously dark and unforgettable story that will linger long after the book is closed. The Dark We Know heralds the arrival of a rare and exciting literary talent―do not miss it." ―Courtney Summers, New York Times bestselling author of I'm the Girl and Sadie
"A knife-sharp excavation into the horrors of societal judgment. Lee has crafted an ultimately hopeful story about grief and pain among friends all a little in love with each other. The Dark We Know left me breathless." ―Trang Thanh Tran, New York Times bestselling author of She is a Haunting
"The Dark We Know is a book made of shattered rock, claustrophobic family pressure, and the desperation of children trying to survive the weight of their grief. An eerie, introspective, and beautifully atmospheric addition to the best of YA horror lit." ―Andrew Joseph White, New York Times bestselling author of The Spirit Bares Its Teeth and Hell Followed With Us
Rated 
of 5
by
A Beman
a literary thriller about a comet, obsession, and a small Australian town
Set in a small town in Australia, and loosely inspired by the Heaven’s Gate cult and Comet Hale-Bopp in 1997, this debut novel is about a young woman still reeling from the hit-and-run death of her beloved husband. Written as a literary thriller, with a slower pace and more reflection, it’s about obsession in many facets, including how it can overtake a psyche in the wake of searing grief. Main character Sylvia Knight does a lot of mind- and soul-searching via astronomy, art, music, literature, tarot, geometry.
“My hope was that, if nothing else, the comet, like the celestial equivalent of a Rorschach inkblot, might cause me to face proof of a truth I had on some level long known, but been unable to see.”
The question, according to author Ruby Todd, becomes how to recover personal power, faith in life, and one’s place in the world.
I would recommend this to those who like slow-burn literary thrillers featuring astronomy, mystery, romance, and reflections on grief, humanity, and mortality.
Wen-yi Lee is a Clarion West alum from Singapore who likes writing about girls with bite, feral nature, and ghosts. Her speculative fiction has appeared in venues such as Lightspeed, Strange Horizons and Uncanny, as well as in various anthologies. The Dark We Know is her debut novel. Find her on social media at @wenyilee_ and otherwise at wenyileewrites.com.
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