In This Edition of
The BookBrowse Review
The BookBrowse Review
Published December 4, 2024
ISSN: 1930-0018
The BookBrowse Review
Published December 4, 2024
ISSN: 1930-0018
Contents
Highlighting indicates debut books
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Literary Fiction
Historical Fiction
Essays
Poetry & Novels in Verse
Mysteries
Thrillers
Fantasy, Sci-Fi, Speculative, Alt. History
Biography/Memoir
History, Current Affairs and Religion
True Crime
Travel & Adventure
Literary Fiction
Historical Fiction
Mysteries
Thrillers
Fantasy, Sci-Fi, Speculative, Alt. History
Graphic Novels
History, Current Affairs and Religion
Science, Health and the Environment
| Critics: |
An electric debut novel about the daughter of Afghan refugees and her year of nightclubs, bad romance, and self-discovery—a portrait of the artist as a young woman set in a Berlin that can't escape its history.
A girl can get in almost anywhere, even if she can't get out.
In Berlin's artistic underground, where techno and drugs fill warehouses still pockmarked from the wars of the twentieth century, nineteen-year-old Nila at last finds her tribe. Born in Germany to Afghan parents, raised in public housing graffitied with swastikas, drawn to philosophy, photography, and sex, Nila has spent her adolescence disappointing her family while searching for her voice as a young woman and artist.
Then in the haze of Berlin's legendary nightlife, Nila meets Marlowe, an American writer whose fading literary celebrity opens her eyes to a life of personal and artistic freedom. But as Nila finds herself pulled further into Marlowe's controlling orbit, ugly, barely submerged racial tensions begin to roil Germany—and Nila's family and community. After a year of running from her future, Nila stops to ask herself the most important question: Who does she want to be?
A story of love and family, raves and Kafka, staying up all night and surviving the mistakes of youth, Good Girl is the virtuosic debut novel by a celebrated young poet and, now, a major new voice in fiction.
"[A] stunning coming-of-age story...Aber casts Nila's struggle to find herself against a turbulent backdrop of racial tensions, including the murder of Afghan brothers in their bakery, attacks on women in hijabs, and Germans' xenophobic fear of people with a 'southern look.' In the process, Aber offers readers both a piercing look into Nila's psyche and an acute sense of place. It's a remarkable achievement." —Publishers Weekly (starred review)
"Nilab narrates the novel from an indeterminate future, dampening the emotional immediacy, and more than once Aber elides dramatic conversations between characters in favor of describing the emotional aftermath. Still, Aber's vivid depiction of Berlin and the novel's earnest wrestling with shame about desire and identity will be of interest to many readers. A debut still in the process of finding itself—like its young protagonist." —Kirkus Reviews
"At once euphoric and despairing, philosophical and poetic, Good Girl is a heartbreaking song of youth and desire and violence and history and the unbearable solitude of displacement." —Jamil Jan Kochai, author of The Haunting of Hajji Hotak, finalist for the National Book Award
"Usually writing this good is realized through a gauzy patina of recollection, but in Good Girl the bass beat is still full in your chest, the coke drip's still a numbing bitter in your throat. Aber's ear is so remarkably good you hardly even notice she's building this great symphony of textures, mosaics within mosaics." —Kaveh Akbar, author of Martyr!
"In Good Girl, pleasure is textured, surprising, and treated with utter seriousness." —Raven Leilani, New York Times bestselling author of Luster
Aria Aber was born and raised in Germany and now lives in the United States. Her debut poetry collection, Hard Damage, won the Prairie Schooner Book Prize and the Whiting Award. She is a former Wallace Stegner Fellow at Stanford and graduate student at USC, and her writing has appeared in The New Yorker, New Republic, The Yale Review, Granta, and elsewhere. Raised speaking Farsi and German, she writes in her third language, English. She recently joined the faculty of the University of Vermont as an assistant professor of Creative Writing and divides her time between Vermont and Brooklyn.
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