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The BookBrowse Review
The BookBrowse Review
Published December 4, 2024
ISSN: 1930-0018
The BookBrowse Review
Published December 4, 2024
ISSN: 1930-0018
Contents
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Literary Fiction
Historical Fiction
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| Critics: |
A full accounting of five incredibly talented Black ballerinas from The Dance Theater of Harlem, founding members among them, that illuminates their hard-fought, historic, and overlooked contributions to the world of classical dance at a time when racism shut out Black dancers from major dance companies.
At the peak of the civil rights movement, Lydia Abarca was the first ballerina in a Black ballet company to grace the cover of Dance magazine. Alongside founding members Shelia Rohan and Gayle McKinney-Griffith and first-generation dancers Karlya Shelton and Marcia Sells, Abarca invited a bright light to shine on Black professional classical dancers. Grit, determination, and exquisite artistry propelled these swans of Harlem to dizzying heights as they performed around the world for audiences that included celebrities, dignitaries, and royalty.
Now, decades later, these trailblazing ballerinas and longtime friends are giving voice to their stories on- and offstage, reclaiming their past so that it is finally recorded, acknowledged, and lauded, never to be lost again.
"This powerful account is part cultural history, part biography as it traces the formation, rise, and decline of DTH through the experiences of these five ballerinas, as well as their continued importance to dancers of color today....this will appeal equally to fans of forgotten histories." —Booklist (starred review)
"A poignant and gripping piece of little-known history." —Kirkus Reviews
"Valby gives each dancer space for their stories to naturally flow, writing them as fully realized individuals with their own hopes and dreams. A heartwarming addition to performing arts biographies." —Library Journal
Karen Valby is a writer living in Austin, Texas. Her work has appeared in Vanity Fair, where she is a frequent contributor, The New York Times, O Magazine, Glamour, Fast Company, and EW, where she spent fifteen years writing about culture.
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