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From the book jacket:
A novel about flesh and spirit, vanity,
mortality, and mortal affection. Set mostly
in Paris and Manhattan in the desperately
glittering 1980s, it has the timeless depth
and moral power of a fairy tale.
As a teenager on the streets of San
Francisco, Alison is discovered by a
photographer and swept into the world of
fashion - modeling in Paris and Rome. When
her career crashes and a love affair ends
disastrously, she moves to New York City to
build a new life. There she meets
Veronicaan older, wisecracking eccentric
with her own ideas about style, a
proofreader who comes to work with a
personal "office kit" and a plaque that
reads "Still Anal After All These Years."
Improbably, the two women become friends.
Their friendship will survive not only
Alison's reentry into the seductive
nocturnal realm of fashion, but also
Veronica's terrible descent into the
then-uncharted realm of AIDS. The memory of
their friendship will continue to haunt
Alison years later, when she, too, is aging
and ill and is questioning the meaning of
what she experienced and who she became
during that time.
Comment:
In many another author's hands a story
that centers on an aging former model would
be a warm and fuzzy tale contrasting the
superficial beauty of her unhappy, younger
self with the older, no longer beautiful
woman, who finds true happiness by at last
recognizing her inner beauty, and so on and
so forth. However, although
Veronica is about beauty, and the doors
that can open and close because of it,
anyone familiar with one of Gaitskill's
earlier books will not expect
sentimental happy endings (or beginnings or
middles for that matter) here.
Alison, the narrator of Veronica was
once knowingly beautiful, but now she is a
wreak, living in an apartment in San Rafael,
California, with hepatitis and an injured
arm, earning pin-money cleaning a friend's
office. From this point she looks back
on her life from her pot-infused teen-years
in San Francisco during the 1970s, her time as a teenage runaway, and her life as a fashion
model and party girl in decadent and
excessive late 1970s Paris, followed by a
second career in New York during the 1980s,
picked up from the pieces after her Parisian
agency dumped her. Worried that her
modeling days are waning she takes a temp
job on the night-shift, where she meets
Veronica, who is in so many ways her polar
opposite - a cynical, "unbeautiful", older
woman engaged in a one-sided love affair
with Duncan, a rampantly unfaithful bisexual
who dies of AIDS having first infected
Veronica.
Choose this book if you appreciate
caustically raw but life-affirming novels.
Selected Reviews:
"....Gaitskill is reaching further into
her preoccupations than ever before, and the
novel is full of very real pleasures. Her
prose has a perfumed clarity. She tacks
against the upright dichotomies of our
historical moment - dichotomies that shape
how we think and who we are but are often
more contingent than we know. In Veronica,
as ever, Gaitskill's brand of brainy
lyricism, of acid shot through with grace,
is unlike anyone else's. And it constitutes
some of the most incisive fiction writing
around." - The New York Times Sunday Book
Review.
This review was originally published in The BookBrowse Review in November 2005, and has been updated for the August 2006 edition. Click here to go to this issue.
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