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From the book jacket:
The narrator is Max Morden, a middle-aged
Irishman who, soon after his wife's death,
has gone back to the seaside town in Ireland
where he spent his summer holidays as a
childa retreat from the grief, anger, and
numbness of his life without her. But it is
also a return to the place where he met the
Graces, the well-heeled vacationing family
with whom he experienced the strange
suddenness of both love and death for the
first time. The seductive mother; the
imperious father; the twinsChloe, fiery and
forthright, and Myles, silent and
expressionlessin whose mysterious
connection Max became profoundly entangled,
each of them a part of the "barely bearable
raw immediacy" of his childhood memories.
What Max comes to understand about the past,
and about its indelible effects on him, is
at the center of this elegiac, vividly
dramatic, beautifully written novel.
Comment:
The Sea was published in Britain
in June 2005 and originally scheduled for
release in the USA sometime in early 2006,
but after winning the 2005 Booker Prize,
publication in the USA was brought forward
to November 2005 (with the paperback
released this week).
Virtually all USA reviews for The Sea
are glowing (the exception being
Michiko Kakutani writing for the New
York Times who described it "as a stilted,
claustrophobic and numbingly pretentious
tale about an aging widower revisiting his
past" - I'm told that authors and publishers
alike quake at the knees when they hear
Kakutani is going to be reviewing one of
their books, as she is known for having, and
expressing, very strong opinions!)
However, probably without exception the
reviews were written after the Booker Prize
was announced, so just in case opinions were
skewed by the afterglow of winning this
prestigious award, I researched the UK
reviews which were written much earlier, and
could not find a negative voice.
Superficially, The Sea bears some
similarity to Rules for Old Men Waiting
(see above) in that they are both written
from the perspective of a recently widowed
man of certain years looking back on his
life in a tale that is more about thought
than action, but Banville, the much more
experienced writer, builds in a degree of
drama that is missing from Pounceys' novel,
by seamlessly moving between Max's past and
present, building in a degree of
confrontation to balance the "moments of
stillness".
Selected Reviews
"With his fastidious wit and exquisite
style, John Banville is the heir to
Nabokov....his best novel so far" - The
Daily Telegraph.
"It is a brilliant, sensuous,
discombobulating novel" - The Spectator.
"There is so much to applaud in this book
that it deserves more than one reading." -
The Literary Review.
"Everything in Banville's books is alive.
Bleakly elegant, he is a writer's writer, a
new Henry Green.." - The Independent.
"The Sea does more than simply
explore a life. It explores life."
- Booklist
As always, you can judge for yourself by
reading the excerpt at BookBrowse.
This review was originally published in The BookBrowse Review in January 2006, and has been updated for the August 2006 edition. Click here to go to this issue.
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