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From the book jacket: Bit by bit, the ravages of age are eroding Marina's
grip on the everyday. And while the elderly Russian woman cannot hold on to
fresh memories the details of her grown children's lives, the approaching
wedding of her grandchild her distant past is preserved: vivid images that
rise unbidden of her youth in war-torn Leningrad.
In the fall of 1941, the German army approached the outskirts of Leningrad,
signaling the beginning of what would become a long and torturous siege. During
the ensuing months, the city's inhabitants would brave starvation and the bitter
cold, all while fending off the constant German onslaught. Marina, then a tour
guide at the Hermitage Museum, along with other staff members, was instructed to
take down the museum's priceless masterpieces for safekeeping, yet leave the
frames hanging empty on the walls a symbol of the artworks' eventual return.
To hold on to sanity when the Luftwaffe's bombs began to fall, she burned to
memory, brushstroke by brushstroke, these exquisite artworks: the nude figures
of women, the angels, the serene Madonnas that had so shortly before gazed down
upon her. She used them to furnish a memory palace, a personal Hermitage in her
mind to which she retreated to escape terror, hunger, and encroaching death. A
refuge that would stay buried deep within her, until she needed it once more....
Seamlessly moving back and forth in time between the Soviet Union and
contemporary America, The Madonnas of Leningrad is a searing portrait of
war and remembrance, of the power of love, memory, and art to offer beauty,
grace, and hope in the face of overwhelming despair.
Comment: This is just the sort of book that I love to be able to
recommend at BookBrowse because it combines a strong storyline, with a heavy
dollop of fact, in this case the history and contents of the Hermitage Museum in
Leningrad/St Petersburg. The characters themselves are obviously important
to the tale, but the essence of the story is the nature of memory itself - as
Marina's descent into Alzheimer's causes her to return to the 'memory palace'
she had constructed in her mind during the the German assault on Leningrad 60 years before,
while her memories of the recent past flicker in and out, "like a switch being
turned off".
Overall the reviewers are extremely positive about this first novel; Booklist
and Library Journal give it starred reviews, with Library Journal concluding
that the "spare, elegant language, taut emotion, and the crystal-clear ring of
truth secure for this debut work a spot on library shelves everywhere."
The only less than glowing review found was from Kirkus Reviews which gives Dean
credit for creating a "respectful and fascinating image of Alzheimer's"
but concludes with a somewhat disparaging comment about the last third of the
story (which I won't repeat as it has the potential to spoil the plot).
Professional reviewers are, by nature, critical - as such, I feel that some of
them, especially the more experienced, who are perhaps a little jaded,
consciously keep themselves distanced from the story in order to be able to read
it at a critical level. I suspect that most readers who enjoy the first
two-thirds of this fascinating first novel, will fly through the last third
without a critical thought in their heads!
This review was originally published in The BookBrowse Review in April 2006, and has been updated for the March 2007 edition. Click here to go to this issue.
If you liked The Madonnas of Leningrad, try these:
An unforgettable story of epic thievery and political intrigue, Saving Italy is a testament to heroism on behalf of art, culture, and history.
Keeper is a fiercely honest "glimpse into the dementia abyss" - an endlessly engrossing meditation on memory and the mind, on family, and on a society that is largely indifferent to the far-reaching ravages of this baffling disease.
I write to add to the beauty that now belongs to me
Click Here to find out who said this, as well as discovering other famous literary quotes!
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