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From the book jacket: September 1989. The
Communist government in East Germany is on the
brink, desperately clinging to power through the
iron grip of the Stasi. One of the most
formidable intelligence services the world has
ever seen, the Stasi has one informer for every
seven residents of East Germany, plus countless
armed guards, special jails, and nightmarish
interrogation centers. But even the Stasi cant
stop the rebellion that ends in the fall of the
Berlin Wall. It is in these last few frenzied
weeks that Brandenburg Gate is set.
Dr. Rudi Rosenharte, formerly a Stasi foreign
agent, now an art scholar living in Dresden, is
sent to Trieste to rendezvous with his old
lover, Annalise Schering. The problem: Rudi
knows shes dead. He saw her lying in her own
bloodied bathwater, and then kept her suicide a
secret. The Stasi believe Annalise is returning
to the fold with vital intelligence. To make
sure Rosenharte plays the game while in Italy,
they have imprisoned his family. But the Stasi
is not the only intelligence agency using
Rosenharte. Soon the British and the Americans
encircle him, forcing him to choose to either
abandon his beloved brother to a torturous death
or return to East Germany as a double agent.
Comment: Henry Porter is the British editor of
Vanity Fair and has written for most of the
'serious' British newspapers, including The
Guardian, The Observer, Evening Standard, and
The Sunday Telegraph.
His first novel, Remembrance Day, was
published in 1999; this was followed by A Spy's Life
in 2001 (featuring Robert Harland, a former M16 agent who is now a water specialist for the United Nations). Then followed Empire State (2003), also
featuring Robert Harland; and now Brandenburg
Gate (hardcover 2005), in which Harland plays a role
(as chief of Berlin station and Rudi Rosenharte's MI6 controller) but is not center
stage.
Set in East Germany in the
winter of 1989, Brandenburg Gate brings
alive the days leading up to the collapse of the
Berlin Wall - an event that might seem
inevitable now, but was far from foregone at the
time. After all, look what had happened in
Tiananmen Square just a few months before!
This is a first-rate thriller, comparable to
the best of Le Carré or Littell. Porter
juggles a complex plot and a large cast of
well-developed characters with aplomb, but it is
his depiction of the dying days of East Germany,
and the massive reach of the secret police
required to maintain a country set to implode,
that raises Brandenburg Gate above the
level of mere entertainment.
This review was originally published in The BookBrowse Review in May 2006, and has been updated for the May 2007 edition. Click here to go to this issue.
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